Charming Mary

Mary mary charming mary
Now the sun has sunk to rest
& the even breeze so airy
Tries to bare thy snowy breast
How I love wi thee to wander
Mary o how sweet wi thee
Dusky meadows to meander
Where no soul can hear or see

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Child Harold

Another tragic poem from Clare's 'Child Harold', written in the autumn of 1841 when Clare was back in Northborough and vainly seeking Mary Joyce.  My Chapbook 'Child Harold' is the only published book with all of Clare's poems under that title.  Nearly all written in the year of two asylums, 1841.

Available from me this weekend at the Festival of course.

Song

I think of thee at early day

& wonder where my love can be

& when the evening shadows grey

O how I think of thee

Along the meadow banks I rove

& down the flaggy fen

& hope my first & early love

To meet thee once agen

I think of thee at dewy morn

& at the sunny noon

& walks with thee—now left forlorn

Beneath the silent moon

I think of thee I think of all

How blest we both have been—

The sun looks pale upon the wall

& autumn shuts the scene

I can't expect to meet thee now

The winter floods begin

The wind sighs through the naked bough

Sad as my heart within

I think of thee the seasons through

In spring when flowers I see

In winters lorn & naked view

I think of only thee

While life breaths on this earthly ball

What e'er my lot may be

Wether in freedom or in thrall

Mary I think of thee

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Hidden Treasures

A little excerpt from 'Hidden Treasures' available from me this weekend at the Festival. Its contents cannnot be found in any other Clare publications.  They are the fruit of many hours research in the Clare Archives.

Have a go at transcribing Clare’s handwriting from the photo above...

I often felt my lowly lot

As couzin unto thine

& oft thy nameless sprigs have got

To wish it well with mine

When trodden down where cuddys went

Ive propt thee up agen

& tyed thee with a propping bent

Like worthless scorning men

When moles their new hills threw about

& hid thy flowers from day

Ive stooped to get my couzin out

& bared the moulds away

& know I meet thee still the same

Supprise grows warm agen

Thou little friend with out a name

Behind the hills as then

Thy little chickweed gently flowers

& out of every wind

While cows & sheep all blooms devours

They [s]till leave thee behind

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Church-yard stone

From my Chapbook No.30 ‘Mary Joyce’, available from me over next weekend at the John Clare Society Festival, as will most of my 35 published books.

A shattering poem, written 7 years after his incarceration in Northampton.  Clare's mind is ranging back to the death of his muse, Mary Joyce.

To come upon in line 9 the line “Lord how young bonny Mary burnt”, even if he is speaking of her blushes at their first meeting, is an astonishing shock for readers of Clare’s work.  Clare, possibly unconsciously, recording the manner of her death in the most shocking way imaginable.

Mary had, as Clare had been avoiding for so long, perished in the fire at her parent’s farm-house in Glinton on the 14th of July 1838.  Her grave in the churchyard of St. Benedict’s Church, Glinton was, and is, clear for all to see.

A Ballad

Love is past and all the rest
Thereto belonging fled away
The most esteemed and valued best
Are faded all and gone away

How beautiful was Mary's dress
While dancing at the meadow ball

—'Tis twenty years or more at least
Since Mary seemed the first of all

Lord how young bonny Mary burnt
With blushes like the roses hue
My face like water thrown upon't
Turned white as lilies i' the dew

When grown a man I went to see
The school where Mary's name was known
I looked to find it on a Tree
But found it on a low grave stone

Now is past—was this the now
In fine straw-hat and ribbons gay
I'd court her neath the white thorn bough
And tell her all I had to say

But all is gone—and now is past
And still my spirits chill alone
Loves name that perished in the blast
Grows mossy on a church-yard stone

(11^th November 1848)

The photo?  Mary’s church-yard stone.

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Golden groves

The new spring grass was high
The new pinks nest was seen
Where little padded lanes went bye
In hedges warm & green

When the golden evening came
& the tree tops like a flame
Glittered on the gazing eye
Like golden groves in a golden sky

The shepherd seeks the field
Where the awthorn hedges shield
The lane way to the open plain
& sets his fold of trays again

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Bonny & stout

Bonny & stout and brown without a hat
She frowns offended when they call her fat
Yet fat she is the merriest in the place
& all can know she wears a pretty face
But still she never heeds what praise can say
But does the work & oft runs out to play
To run about the yard & ramp & noise
& spring the mop upon the servant boys
When old hens noise & cackle every where
She hurries eager if the eggs are dear
& runs to seek them when they lay away
To get them ready for the market day
She gambols with the men & laughs aloud
& only quarrels when they call her proud

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The timid hare

The timid hare seems half its fears to lose
Crouching & sleeping neath its grassy lair
& scarcely startles though the shepherd goes
Close by its home & dogs are barking there
The wild colt only turns around to stare
At passer by then knaps his hide again
& moody crows beside the road forbear
To fly though pelted by the passing swain
Thus day seems turned to night & tries to wake in vain

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Image by my friend Carry Akroyd

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The still water

Ive often gazed with pleasure by the edge

Of the old meadow lake floodwashed and crookd 

The water-rat slow rustling in the sedge

The fish-ring wavering in the clear Ive looked

In rapture on the mellow summer shine

Of the still water gleaming in the sun

Just wrinkled by the plash of quiet kine

Who knee-deep in the flags would drink—and done

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