The Cottager (III of III)

His cottage is a humble place of rest
With one spare room to welcome every guest,
And that tall poplar pointing to the sky
His own hand planted when an idle boy,
It shades his chimney while the singing wind
Hums songs of shelter to his happy mind.
Within his cot the largest ears of corn
He ever found his picture frames adorn:
Brave Granby's head, De Grosse's grand defeat;
He rubs his hands and shows how Rodney beat.
And from the rafters upon strings depend
Beanstalks beset with pods from end to end,
Whose numbers without counting may be seen
Wrote on the almanack behind the screen.
Around the corner up on worsted strung
Pooties in wreaths above the cupboard hung.
Memory at trifling incidents awakes
And there he keeps them for his children's sakes,
Who when as boys searched every sedgy lane,
Traced every wood and shattered clothes again,
Roaming about on rapture's easy wing
To hunt those very pooty shells in spring.
And thus he lives too happy to be poor
While strife neer pauses at so mean a door.
Low in the sheltered valley stands his cot,
He hears the mountain storm and feels it not;
Winter and spring, toil ceasing ere tis dark,
Rests with the lamb and rises with the lark,
Content his helpmate to the day's employ
And care neer comes to steal a single joy.
Time, scarcely noticed, turns his hair to grey,
Yet leaves him happy as a child at play.

The Cottager (II of III)

He is right scrupulous in one pretext
And wholesale errors swallows in the next.
He deems it sin to sing, yet not to say
A song--a mighty difference in his way.
And many a moving tale in antique rhymes
He has for Christmas and such merry times,
When "Chevy Chase," his masterpiece of song,
Is said so earnest none can think it long.
Twas the old vicar's way who should be right,
For the late vicar was his heart's delight,
And while at church he often shakes his head
To think what sermons the old vicar made,
Downright and orthodox that all the land
Who had their ears to hear might understand,
But now such mighty learning meets his ears
He thinks it Greek or Latin which he hears,
Yet church receives him every sabbath day
And rain or snow he never keeps away.
All words of reverence still his heart reveres,
Low bows his head when Jesus meets his ears,
And still he thinks it blasphemy as well
Such names without a capital to spell.
In an old corner cupboard by the wall
His books are laid, though good, in number small,
His Bible first in place; from worth and age
Whose grandsire's name adorns the title page,
And blank leaves once, now filled with kindred claims,
Display a world's epitome of names.
Parents and children and grandchildren all
Memory's affections in the lists recall.
And prayer-book next, much worn though strongly bound,
Proves him a churchman orthodox and sound.
The "Pilgrim's Progress" and the "Death of Abel"
Are seldom missing from his Sunday table,
And prime old Tusser in his homely trim,
The first of bards in all the world with him,
And only poet which his leisure knows;
Verse deals in fancy, so he sticks to prose.
These are the books he reads and reads again
And weekly hunts the almanacks for rain.
Here and no further learning's channels ran;
Still, neighbours prize him as the learned man.

The Cottager (I of III)

True as the church clock hand the hour pursues
He plods about his toils and reads the news,
And at the blacksmith's shop his hour will stand
To talk of "Lunun" as a foreign land.
For from his cottage door in peace or strife
He neer went fifty miles in all his life.
His knowledge with old notions still combined
Is twenty years behind the march of mind.
He views new knowledge with suspicious eyes
And thinks it blasphemy to be so wise.
On steam's almighty tales he wondering looks
As witchcraft gleaned from old blackletter books.
Life gave him comfort but denied him wealth,
He toils in quiet and enjoys his health,
He smokes a pipe at night and drinks his beer
And runs no scores on tavern screens to clear.
He goes to market all the year about
And keeps one hour and never stays it out.
Een at St. Thomas tide old Rover's bark
Hails Dapple's trot an hour before it's dark.
He is a simple-worded plain old man
Whose good intents take errors in their plan.
Oft sentimental and with saddened vein
He looks on trifles and bemoans their pain,
And thinks the angler mad, and loudly storms
With emphasis of speech oer murdered worms.
And hunters cruel--pleading with sad care
Pity's petition for the fox and hare,
Yet feels self-satisfaction in his woes
For war's crushed myriads of his slaughtered foes.

The Peasant Poet

[Image: 'Dark Ditch' by Carry Akroyd]

He loved the brook's soft sound,
The swallow swimming by.
He loved the daisy-covered ground,
The cloud-bedappled sky.
To him the dismal storm appeared
The very voice of God;
And when the evening rack was reared
Stood Moses with his rod.
And everything his eyes surveyed,
The insects in the brake,
Were creatures God Almighty made,
He loved them for His sake--
A silent man in life's affairs,
A thinker from a boy,
A peasant in his daily cares,
A poet in his joy.

Winter Walk

The holly bush, a sober lump of green,
Shines through the leafless shrubs all brown and grey,
And smiles at winter be it eer so keen
With all the leafy luxury of May.
And O it is delicious, when the day
In winter's loaded garment keenly blows
And turns her back on sudden falling snows,
To go where gravel pathways creep between
Arches of evergreen that scarce let through
A single feather of the driving storm;
And in the bitterest day that ever blew
The walk will find some places still and warm
Where dead leaves rustle sweet and give alarm
To little birds that flirt and start away.

The Shepherd's Calendar - December

[Carry Akroyd’s linocut illustrating December from “The
Shepherd’s Calendar 2007” published by Carcanet Publications]

.

And singers too a merry throng
At early morn wi simple skill
Yet imitate the angels song
And chant their christmass ditty still
And mid the storm that dies and swells
By fits-in humings softly steals
The music of the village bells
Ringing round their merry peals

And when its past a merry crew
Bedeckt in masks and ribbons gay
The 'Morrice danse' their sports renew
And act their winter evening play
The clown-turnd-kings for penny praise
Storm wi the actors strut and swell
And harlequin a laugh to raise
Wears his hump back and tinkling bell

Birds, why are ye Silent? (II)

How bright the odd daisies
Peep under the stubbs!
How bright pilewort blazes
Where ruddled sheep rubs
The old willow trunk by the side of the brook,
Where soon for blue violets the children will look!

By the cot green and mossy
Feed sparrow and hen:
On the ridge brown and glossy
They cluck now and then.
The wren cocks his tail o'er his back by the stye,
Where his green bottle nest will be made by and bye.

Here's bunches of chickweed,
With small starry flowers,
Where red-caps oft pick seed
In hungry Spring hours.
And blue cap and black cap, in glossy Spring coat,
Are a-peeping in buds without singing a note.

Why silent should birds be
And sunshine so warm?
Larks hide where the herds be
By cottage and farm.
If wild flowers were blooming and fully set in the Spring
May-be all the birdies would cheerfully sing.

Birds, why are ye silent? (I)

Why are ye silent, Birds?
Where do ye fly?
Winter's not violent,
With such a Spring sky.
The wheatlands are green, snow and frost are away,
Birds, why are ye silent on such a sweet day?

By the slated pig-stye
The redbreast scarce whispers:
Where last Autumn's leaves lie
The hedge sparrow just lispers.
And why are the chaffinch and bullfinch so still,
While the sulphur primroses bedeck the wood hill?

The bright yellow-hammers
Are strutting about,
All still, and none stammers
A single note out.
From the hedge starts the blackbird, at brook side to drink:
I thought he'd have whistled, but he only said "prink."

The tree-creeper hustles
Up fir's rusty bark;
All silent he bustles;
We needn't say hark.
There's no song in the forest, in field, or in wood,
Yet the sun gilds the grass as though come in for good.

Love and Solitude

I hate the very noise of troublous man
Who did and does me all the harm he can.
Free from the world I would a prisoner be
And my own shadow all my company;
And lonely see the shooting stars appear,
Worlds rushing into judgment all the year.
O lead me onward to the loneliest shade,
The darkest place that quiet ever made,
Where kingcups grow most beauteous to behold
And shut up green and open into gold.
Farewell to poesy--and leave the will;
Take all the world away--and leave me still
The mirth and music of a woman's voice,
That bids the heart be happy and rejoice.

Meet Me To-night

O meet me to-night by the bright starlight,
Now the pleasant Spring's begun.
My own dear maid, by the greenwood shade,
In the crimson set of the sun,
Meet me to-night.

The sun he goes down with a ruby crown
To a gold and crimson bed;
And the falling dew, from heaven so blue,
Hangs pearls on Phoebe's head.
Love, leave the town.

Come thou with me; 'neath the green-leaf tree
We'll crop the bonny sweet brere.
O come, dear maid, 'neath the hazlewood shade,
For love invites us there.
Come then with me.

The owl pops, scarce seen, from the ivy green,
With his spectacles on I ween:
See the moon's above and the stars twinkle, love;
Better time was never seen.
O come, my queen.

The fox he stops, and down he drops
His head beneath the grass.
The birds are gone; we're all alone;
O come, my bonny lass.
Come, O come!

The Sailor's Return

The whitethorn is budding and rushes are green,
The ivy leaves rustle around the ash tree,
On the sweet sunny bank blue violets are seen,
That tremble beneath the wild hum of the bee.
The sunbeams they play on the brook's plashy ripples,
Like millions of suns in each swirl looking on;
The rush nods and bows till its tasseled head tipples
Right into the wimpled flood, kissing the stones.

'T was down in the cow pasture, just at the gloaming,
I met a young woman sweet tempered and mild,
I said "Pretty maiden, say, where are you roving?"
"I'm walking at even," she answered, and smiled.
"Here my sweetheart and I gathered posies at even;
It's eight years ago since they sent him to sea.
Wild flowers hung with dew are like angels from heaven:
They look up in my face and keep whispering to me.

They whisper the tales that were told by my true love;
In the evening and morning they glisten with dew;
They say (bonny blossoms) 'I'll ne'er get a new love;
I love her; she's kindly.' I say, 'I love him too.'"
The passing-by stranger's a stranger no longer;
He kissed off the teardrop which fell from her e'e;
With blue-jacket and trousers he is bigger and stronger;
'T is her own constant Willy returned from the sea.

Adieu!

"Adieu, my love, adieu!
Be constant and be true
As the daisies gemmed with dew,
Bonny maid."
The cows their thirst were slaking,
Trees the playful winds were shaking;
Sweet songs the birds were making
In the shade.

The moss upon the tree
Was as green as green could be,
The clover on the lea
Ruddy glowed;
Leaves were silver with the dew,
Where the tall sowthistles grew,
And I bade the maid adieu
On the road.

Then I took myself to sea,
While the little chiming bee
Sung his ballad on the lea,
Humming sweet;
And the red-winged butterfly
Was sailing through the sky,
Skimming up and bouncing by
Near my feet.

I left the little birds,
And sweet lowing of the herds,
And couldn't find out words,
Do you see,
To say to them good bye,
Where the yellow cups do lie;
So heaving a deep sigh,
Took to sea.

My True Love is a Sailor

'T was somewhere in the April time,
Not long before the May,
A-sitting on a bank o' thyme
I heard a maiden say,
"My true love is a sailor,
And ere he went away
We spent a year together,
And here my lover lay.

The gold furze was in blossom,
So was the daisy too;
The dew-drops on the little flowers
Were emeralds in hue.
On this same Summer morning,
Though then the Sabbath day,
He crop't me Spring pol'ant'uses,
Beneath the whitethorn may.

He crop't me Spring pol'ant'uses,
And said if they would keep
They'd tell me of love's fantasies,
For dews on them did weep.
And I did weep at parting,
Which lasted all the week;
And when he turned for starting
My full heart could not speak.

The same roots grow pol'ant'us' flowers
Beneath the same haw-tree;
I crop't them in morn's dewy hours,
And here love's offerings be.
O come to me my sailor beau
And ease my aching breast;
The storms shall cease to rave and blow,
And here thy life find rest."

Maid of the Wilderness

Maid of the wilderness,
Sweet in thy rural dress,
Fond thy rich lips I press
Under this tree.

Morning her health bestows,
Sprinkles dews on the rose,
That by the bramble grows:
Maid happy be.
Womanhood round thee glows,
Wander with me.

The restharrow blooming,
The sun just a-coming,
Grass and bushes illuming,
And the spreading oak tree;

Come hither, sweet Nelly,

* ********* *

The morning is loosing
Its incense for thee.
The pea-leaf has dews on;
Love wander with me.

We'll walk by the river,
And love more than ever;
There's nought shall dissever
My fondness from thee.

Soft ripples the water,
Flags rustle like laughter,
And fish follow after;
Leaves drop from the tree.
Nelly, Beauty's own daughter,
Love, wander with me.

November (III)

The boy, that scareth from the spiry wheat
The melancholy crow - in hurry weaves,
Beneath an ivied tree, his sheltering seat,
Of rushy flags and sedges tied in sheaves,
Or from the field a shock of stubble thieves.
There he doth dithering sit, and entertain
His eyes with marking the storm-driven leaves;
Oft spying nests where he spring eggs had ta'en,
And wishing in his heart twas summer-time again.

Thus wears the month along, in checkered moods,
Sunshine and shadows, tempests loud, and calms;
One hour dies silent oer the sleepy woods,
The next wakes loud with unexpected storms;
A dreary nakedness the field deforms -
Yet many a rural sound, and rural sight,
Lives in the village still about the farms,
Where toil's rude uproar hums from morn till night
Noises, in which the ears of industry delight.

At length the stir of rural labour's still,
And industry her care awhile foregoes;
When winter comes in earnest to fulfil
His yearly task, at bleak November's close,
And stops the plough, and hides the field in snows;
When frost locks up the stream in chill delay
And mellows on the hedge the jetty sloes,
For little birds--then toil hath time for play,
And nought but threshers' flails awake the dreary day.

November (II)

Yet but awhile the slumbering weather flings
Its murky prison round--then winds wake loud;
With sudden stir the startled forest sings
Winter's returning song-cloud races cloud.
And the horizon throws away its shroud,
Sweeping a stretching circle from the eye;
Storms upon storms in quick succession crowd,
And oer the sameness of the purple sky
Heaven paints, with hurried hand, wild hues of every dye.

At length it comes among the forest oaks,
With sobbing ebbs, and uproar gathering high;
The scared, hoarse raven on its cradle croaks,
And stockdove-flocks in hurried terrors fly,
While the blue hawk hangs oer them in the sky.--
The hedger hastens from the storm begun,
To seek a shelter that may keep him dry;
And foresters low bent, the wind to shun,
Scarce hear amid the strife the poacher's muttering gun.

The ploughman hears its humming rage begin,
And hies for shelter from his naked toil;
Buttoning his doublet closer to his chin,
He bends and scampers oer the elting soil,
While clouds above him in wild fury boil,
And winds drive heavily the beating rain;
He turns his back to catch his breath awhile,
Then ekes his speed and faces it again,
To seek the shepherd's hut beside the rushy plain.

November (I)

The landscape sleeps in mist from morn till noon;
And, if the sun looks through, tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be,
Nor mark a patch of sky--blindfold they trace,
The plains, that seem without a bush or tree,
Whistling aloud by guess, to flocks they cannot see.

The timid hare seems half its fears to lose,
Crouching and sleeping neath its grassy lair,
And scarcely startles, though the shepherd goes
Close by its home, and dogs are barking there;
The wild colt only turns around to stare
At passer by, then knaps his hide again;
And moody crows beside the road forbear
To fly, though pelted by the passing swain;
Thus day seems turned to night, and tries to wake in vain.

The owlet leaves her hiding-place at noon,
And flaps her grey wings in the doubling light;
The hoarse jay screams to see her out so soon,
And small birds chirp and startle with affright;
Much doth it scare the superstitious wight,
Who dreams of sorry luck, and sore dismay;
While cow-boys think the day a dream of night,
And oft grow fearful on their lonely way,
Fancying that ghosts may wake, and leave their graves by day.

Shepherd's Calendar - November

The cleanly maiden thro the village streets

In pattens clicks down causways never drye

While eves above head drips-where oft she meets

The schoolboy leering on wi mischiefs eye

Trying to splash her as he hurrys bye

While swains afield returning to their ploughs

Their passing aid wi gentle speech apply

And much loves rapture thrills when she alows

Their help wi offerd hand to lead her oer the sloughs

The hedger soakd wi the dull weather chops

On at his toils which scarcly keeps him warm

And every stroke he takes large swarms of drops

Patter about him like an april storm

The sticking dame Wi cloak upon her arm

To guard against a storm walks the wet leas

Of willow groves or hedges round the farm

Picking up aught her splashy wanderings sees

Dead sticks the sudden winds have shook from off the trees

Autumn

Autumn comes laden with her ripened load
Of fruitage and so scatters them abroad
That each fern-smothered heath and mole-hill waste
Are black with bramble berries--where in haste
The chubby urchins from the village hie
To feast them there, stained with the purple dye;
While painted woods around my rambles be
In draperies worthy of eternity.
Yet will the leaves soon patter on the ground,
And death's deaf voice awake at every sound:
One drops--then others--and the last that fell
Rings for those left behind their passing bell.
Thus memory every where her tidings brings
How sad death robs us of life's dearest things.

Illustrating the poems of John Clare

From frozen January to the long hot days of harvest, from the bursting sweetbriar leaves of March to Christmas plum cake and elderberry wine – John Clare's 19th century poems known as the ‘Shepherd's Calendar’ reveal an eye that observed life with unparalleled intimacy.

Contemporary artist and printmaker Carry Akroyd is also known for her painstaking attention to detail, which is partly why she was asked to produce linocuts to complement a new edition of the poems. Caz Graham went to Northamptonshire to meet Carry and to find out why she’s long felt a special affinity with Clare.

The Shepherd’s Calendar is published by Carcanet and you can see Carry’s linocuts at the Slimbridge Wetlands Centre from 14th October till Christmas.

.

Carry Akroyd was on Woman's Hour last week (18th October), talking about the illustrating job she did on the Shepherds Calendar calendar. You should be able to hear it again at

http://www.bbc.co.uk/radio4/womanshour/03/2007_42_thu.shtml

Autumn

The thistle-down's flying, though the winds are all still,
On the green grass now lying, now mounting the hill,
The spring from the fountain now boils like a pot;
Through stones past the counting it bubbles red hot.

The ground parched and cracked is like overbaked bread,
The greensward all wracked is, bents dried up and dead.
The fallow fields glitter like water indeed,
And gossamers twitter, flung from weed unto weed.

Hill tops like hot iron glitter bright in the sun,
And the rivers we're eying burn to gold as they run;
Burning hot is the ground, liquid gold is the air;
Whoever looks round sees Eternity there.

from 'Remembrances'

Summer's pleasures they are gone like to visions every one,
And the cloudy days of autumn and of winter cometh on.
I tried to call them back, but unbidden they are gone
Far away from heart and eye and forever far away.
Dear heart, and can it be that such raptures meet decay?
I thought them all eternal when by Langley Bush I lay,
I thought them joys eternal when I used to shout and play
On its bank at "clink and bandy," "chock" and "taw" and "ducking stone,"
Where silence sitteth now on the wild heath as her own
Like a ruin of the past all alone.

Autumn (Final)

Wild sorceress! me thy restless mood delights,
More than the stir of summer's crowded scenes,
Where, jostled in the din,
Joy palled my ear with song;

Heart-sickening for the silence that is thine,
Not broken inharmoniously, as now
That lone and vagrant bee
Booms faint with wearp chime.

Now filtering winds thin winnow through the woods
In tremulous noise, that bids, at every breath,
Some sickly cankered leaf
Let go its hold, and die.

And now the bickering storm, with sudden start,
In flirting fits of anger carps aloud,
Thee urging to thine end,
Sore wept by troubled skies.

And yet, sublime in grief, thy thoughts delight
To show me visions of most gorgeous dyes,
Haply forgetting now
They but prepare thy shroud;

Thy pencil dashing its excess of shades,
Improvident of waste, till every bough
Burns with thy mellow touch
Disorderly divine.

Soon must I view thee as a pleasant dream
Droop faintly, and so sicken for thine end,
As sad the winds sink low
In dirges for their queen;

While in the moment of their weary pause,
To cheer thy bankrupt pomp, the willing lark
Starts from his shielding clod,
Snatching sweet scraps of song.

Thy life is waning now, and silence tries
To mourn, but meets no sympathy in sounds.
As stooping low she bends,
Forming with leaves thy grave;

To sleep inglorious there mid tangled woods,
Till parch-lipped summer pines in drought away,
Then from thine ivied trance
Awake to glories new.

Autumn (II)

Now not inaptly craved, communing thus,
Beneath the curdled arms of this stunt oak,
While pillowed on the grass,
We fondly ruminate

Oer the disordered scenes of woods and fields,
Ploughed lands, thin travelled with half-hungry sheep,
Pastures tracked deep with cows,
Where small birds seek for seed:

Marking the cow-boy that so merry trills
His frequent, unpremeditated song,
Wooing the winds to pause,
Till echo brawls again;

As on with plashy step, and clouted shoon,
He roves, half indolent and self-employed,
To rob the little birds
Of hips and pendent haws,

And sloes, dim covered as with dewy veils,
And rambling bramble-berries, pulp and sweet,
Arching their prickly trails
Half oer the narrow lane:

Noting the hedger front with stubborn face
The dank blea wind, that whistles thinly by
His leathern garb, thorn proof,
And cheek red hot with toil.

While oer the pleachy lands of mellow brown,
The mower's stubbling scythe clogs to his foot
The ever eking whisp,
With sharp and sudden jerk,

Till into formal rows the russet shocks
Crowd the blank field to thatch time-weathered barns,
And hovels rude repair,
Stript by disturbing winds.

See! from the rustling scythe the haunted hare
Scampers circuitous, with startled ears
Prickt up, then squat, as bye
She brushes to the woods,

Where reeded grass, breast-high and undisturbed,
Forms pleasant clumps, through which the soothing winds
Soften her rigid fears,
And lull to calm repose.

Autumn (I)

Syren of sullen moods and fading hues,
Yet haply not incapable of joy,
Sweet Autumn! I thee hail
With welcome all unfeigned;

And oft as morning from her lattice peeps
To beckon up the sun, I seek with thee
To drink the dewy breath
Of fields left fragrant then,

In solitudes, where no frequented paths
But what thy own foot makes betray thy home,
Stealing obtrusive there
To meditate thy end:

By overshadowed ponds, in woody nooks,
With ramping sallows lined, and crowding sedge,
Which woo the winds to play,
And with them dance for joy;

And meadow pools, torn wide by lawless floods,
Where water-lilies spread their oily leaves,
On which, as wont, the fly
Oft battens in the sun;

Where leans the mossy willow half way oer,
On which the shepherd crawls astride to throw
His angle, clear of weeds
That crowd the water's brim;

Or crispy hills, and hollows scant of sward,
Where step by step the patient lonely boy
Hath cut rude flights of stairs
To climb their steepy sides;

Then track along their feet, grown hoarse with noise,
The crawling brook, that ekes its weary speed,
And struggles through the weeds
With faint and sullen brawl.

These haunts I long have favoured, more as now
With thee thus wandering, moralizing on,
Stealing glad thoughts from grief,
And happy, though I sigh.

Sweet Vision, with the wild dishevelled hair,
And raiment shadowy of each wind's embrace,
Fain would I win thine harp
To one accordant theme;

The Shepherd's Calendar - October

Crows from the oak trees qawking as they spring

Dashing the acorns down wi beating wing

Waking the woodlands sleep in noises low

Pattring on crimpt brakes withering brown below

While from their hollow nest the squirrels (pop)

Adown the tree to pick them as they drop

The starnel crowds that dim the muddy light

The crows and jackdaws flapping home at night

And puddock circling round its lazy flight

Round the wild sweeing wood in motion slow

Before it perches on the oaks below

And hugh black beetles revelling alone

In the dull evening with their heavy drone

Buzzing from barn door straw and hovel sides

Where fodderd cattle from the night abides

These pictures linger thro the shortning day

And cheer the lone bards mellancholy way

And now and then a solitary boy

Journeying and muttering oer his dreams of joy

The Flood

[Image: JMW Turner's "Waves breaking on a Lee shore"]

Waves trough, rebound, and furious boil again,
Like plunging monsters rising underneath,
Who at the top curl up a shaggy mane,
A moment catching at a surer breath,
Then plunging headlong down and down, and on
Each following whirls the shadow of the last;
And other monsters rise when those are gone,
Crest their fringed waves, plunge onward and are past.
The chill air comes around me oceanly,
From bank to bank the waterstrife is spread;
Strange birds like snowspots oer the whizzing sea
Hang where the wild duck hurried past and fled.
On roars the flood, all restless to be free,
Like Trouble wandering to Eternity.

Autumn (II)

Now filtering winds thin winnow through the woods
With tremulous noise, that bids, at every breath,
Some sickly cankered leaf
Let go its hold and die.

And now the bickering storm, with sudden start,
In flirting fits of anger carps aloud,
Thee urging to thine end,
Sore wept by troubled skies.

And yet, sublime in grief, thy thoughts delight
To show me visions of most gorgeous dyes,
Haply forgetting now
They but prepare thy shroud;

Thy pencil dashing its excess of shades,
Improvident of wealth, till every bough
Burns with thy mellow touch
Disorderly divine.

Soon must I view thee as a pleasant dream
Droop faintly, and so reckon for thine end,
As sad the winds sink low
In dirges for their queen;

While in the moment of their weary pause,
To cheer thy bankrupt pomp, the willing lark
Starts from his shielding clod,
Snatching sweet scraps of song.

Thy life is waning now, and Silence tries
To mourn, but meets no sympathy in sounds,
As stooping low she bends,
Forming with leaves thy grave;

To sleep inglorious there mid tangled woods,
Till parch-lipped Summer pines in drought away;
Then from thine ivied trance
Awake to glories new.

Autumn (I)

[Image: Patchwork Vista ~ Carry Akroyd]

Syren of sullen moods and fading hues,
Yet haply not incapable of joy,
Sweet Autumn! I thee hail
With welcome all unfeigned;

And oft as morning from her lattice peeps
To beckon up the sun, I seek with thee
To drink the dewy breath
Of fields left fragrant then,

In solitudes, where no frequented paths
But what thine own foot makes betray thine home,
Stealing obtrusive there
To meditate thy end;

By overshadowed ponds, in woody nooks,
With ramping sallows lined, and crowding sedge,
Which woo the winds to play,
And with them dance for joy;

And meadow pools, torn wide by lawless floods,
Where waterlilies spread their oily leaves,
On which, as wont, the fly
Oft battens in the sun;

Where leans the mossy willow half way o'er,
On which the shepherd crawls astride to throw
His angle, clear of weeds
That crown the water's brim;

Or crispy hills and hollows scant of sward,
Where step by step the patient, lonely boy,
Hath cut rude flights of stairs
To climb their steepy sides;

Grasshoppers

Grasshoppers go in many a thumming spring
And now to stalks of tasseled sow-grass cling,
That shakes and swees awhile, but still keeps straight;
While arching oxeye doubles with his weight.
Next on the cat-tail-grass with farther bound
He springs, that bends until they touch the ground.

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[Image: Swaddywell Field - Carry Akroyd (detail)]

Love's Emblem

Go rose, my Chloe's bosom grace:
How happy should I prove,
Could I supply that envied place
With never-fading love.

Accept, dear maid, now Summer glows,
This pure, unsullied gem,
Love's emblem in a full-blown rose,
Just broken from the stem.

Accept it as a favourite flower
For thy soft breast to wear;
'Twill blossom there its transient hour,
A favourite of the fair.

Upon thy cheek its blossom glows,
As from a mirror clear,
Making thyself a living rose,
In blossom all the year.

It is a sweet and favourite flower
To grace a maiden's brow,
Emblem of love without its power--
A sweeter rose art thou.

The rose, like hues of insect wing,
May perish in an hour;
'T is but at best a fading thing,
But thou'rt a living flower.

The roses steeped in morning dews
Would every eye enthrall,
But woman, she alone subdues;
Her beauty conquers all.

Little Trotty Wagtail

Little trotty wagtail he went in the rain,
And twittering, tottering sideways he ne'er got straight again.
He stooped to get a worm, and looked up to get a fly,
And then he flew away ere his feathers they were dry.

Little trotty wagtail he waddled in the mud,
And left his little footmarks, trample where he would.
He waddled in the water-pudge, and waggle went his tail,
And chirrupt up his wings to dry upon the garden rail.

Little trotty wagtail, you nimble all about,
And in the dimpling water-pudge you waddle in and out;
Your home is nigh at hand, and in the warm pig-stye,
So, little Master Wagtail, I'll bid you a good bye.

from 'The Stranger'

His presence was a peace to all,
He bade the sorrowful rejoice.
Pain turned to pleasure at his call,
Health lived and issued from his voice.
He healed the sick and sent abroad
The dumb rejoicing in the Lord.

The blind met daylight in his eye,
The joys of everlasting day;
The sick found health in his reply;
The cripple threw his crutch away.
Yet he with troubles did remain
And suffered poverty and pain.

Yet none could say of wrong he did,
And scorn was ever standing bye;
Accusers by their conscience chid,
When proof was sought, made no reply.
Yet without sin he suffered more
Than ever sinners did before.

September 1824

Took a walk in the fields: saw an old wood stile taken away from a familiar spot which it had occupied all my life. The posts were overgrown with ivy, and it seemed akin to nature and the spot where it stood, as though it had taken it on lease for an undisturbed existence. It hurt me to see it was gone, for my affections claim a friendship with such things; but nothing is lasting in this world.

Last year Langley Bush was destroyed -- an old white-thorn that had stood for more than a century, full of fame. The gipsies, shepherds, and herdsmen all had their tales of its history, and it will be long ere its memory is forgotten.

An excerpt from ‘Remembrances’

Summer's pleasures they are gone like to visions every one,
And the cloudy days of autumn and of winter cometh on.
I tried to call them back, but unbidden they are gone
Far away from heart and eye and forever far away.
Dear heart, and can it be that such raptures meet decay?
I thought them all eternal when by Langley Bush I lay,
I thought them joys eternal when I used to shout and play
On its bank at “clink and bandy,” “chock” and “taw” and “ducking stone,”
Where silence sitteth now on the wild heath as her own
Like a ruin of the past all alone.

The Shepherd's Calendar - September

[Carry Akroyd’s linocut illustrating September from “The Shepherd’s Calendar 2007” published by Carcanet Publications]

Anon the fields are wearing clear
And glad sounds hum in labours ear
When childern halo ‘here they come’
And run to meet the harvest home
Stuck thick with boughs and thronged with boys
Who mingle loud a merry noise
Glad that the harvests end is nigh
And weary labour nearly bye
Where when they meet the stack thronged yard
Cross bunns or pence their shouts reward

Then comes the harvest supper night
Which rustics welcome with delight
When merry game and tiresome tale
And songs increasing with the ale
Their mingled uproar interpose
To crown the harvests happy close
While rural mirth that there abides
Laughs till she almost cracks her sides

Ploughman Singing

Here morning in the ploughman's songs is met
Ere yet one footstep shows in all the sky,
And twilight in the east, a doubt as yet,
Shows not her sleeve of grey to know her bye.
Woke early, I arose and thought that first
In winter time of all the world was I.
The old owls might have hallooed if they durst,
But joy just then was up and whistled bye
A merry tune which I had known full long,
But could not to my memory wake it back,
Until the ploughman changed it to the song.
O happiness, how simple is thy track.
--Tinged like the willow shoots, the east's young brow
Glows red and finds thee singing at the plough.

Young Jenny

The cockchafer hums down the rut-rifted lane
Where the wild roses hang and the woodbines entwine,
And the shrill squeaking bat makes his circles again
Round the side of the tavern close by the sign.
The sun is gone down like a wearisome queen,
In curtains the richest that ever were seen.

The dew falls on flowers in a mist of small rain,
And, beating the hedges, low fly the barn owls;
The moon with her horns is just peeping again,
And deep in the forest the dog-badger howls;
In best bib and tucker then wanders my Jane
By the side of the woodbines which grow in the lane.

On a sweet eventide I walk by her side;
In green hoods the daisies have shut up their eyes.
Young Jenny is handsome without any pride;
Her eyes (O how bright!) have the hue of the skies.
O 'tis pleasant to walk by the side of my Jane
At the close of the day, down the mossy green lane.

We stand by the brook, by the gate, and the stile,
While the even star hangs out his lamp in the sky;
And on her calm face dwells a sweet sunny smile,
While her soul fondly speaks through the light of her eye.
Sweet are the moments while waiting for Jane;
'T is her footsteps I hear coming down the green lane.

From 'Home Yearnings'

[Carry's 'Woodwalton Fen' in all its glory - click on the image for the full effect]

The sheep within the fallow field,
The herd upon the green,
The larks that in the thistle shield,
And pipe from morn to e'en--
O for the pasture, fields, and fen!
When shall I see such rest again?

I love the weeds along the fen,
More sweet than garden flowers,
For freedom haunts the humble glen
That blest my happiest hours.
Here prison injures health and me:
I love sweet freedom and the free.

[Woodwalton Fen from 'The Great Fen Project website]

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Examining this map in details shows that Carry's painting is rather more accurate a portrayal than most folk realise, and shows her wonderful way of capturing the nature of a place in a few brush-strokes. She is to be congratulated... I am sure that Clare would have approved.

The Fens (III)

Woodwalton Fen [Detail] – Carry Akroyd

Here's little save the river scene
And grounds of oats in rustling green
And crowded growth of wheat and beans,
That with the hope of plenty leans
And cheers the farmer's gazing brow,
Who lives and triumphs in the plough--
One sometimes meets a pleasant sward
Of swarthy grass; and quickly marred
The plough soon turns it into brown,
And, when again one rambles down
The path, small hillocks burning lie
And smoke beneath a burning sky.
Green paddocks have but little charms
With gain the merchandise of farms;
And, muse and marvel where we may,
Gain mars the landscape every day--
The meadow grass turned up and copt,
The trees to stumpy dotterels lopt,
The hearth with fuel to supply
For rest to smoke and chatter bye;
Giving the joy of home delights,
The warmest mirth on coldest nights.
And so for gain, that joy's repay,
Change cheats the landscape every day,
Nor trees nor bush about it grows
That from the hatchet can repose,
And the horizon stooping smiles
Oer treeless fens of many miles.
Spring comes and goes and comes again
And all is nakedness and fen.

The Fens (II)

[Woodwalton Fen [Detail] – Carry Akroyd]

Among the tawny tasselled reed
The ducks and ducklings float and feed.
With head oft dabbing in the flood
They fish all day the weedy mud,
And tumbler-like are bobbing there,
Heels topsy turvy in the air.

The geese in troops come droving up,
Nibble the weeds, and take a sup;
And, closely puzzled to agree,
Chatter like gossips over tea.
The gander with his scarlet nose
When strife's at height will interpose;
And, stretching neck to that and this,
With now a mutter, now a hiss,
A nibble at the feathers too,
A sort of "pray be quiet do,"
And turning as the matter mends,
He stills them into mutual friends;
Then in a sort of triumph sings
And throws the water oer his wings.

Ah, could I see a spinney nigh,
A puddock riding in the sky
Above the oaks with easy sail
On stilly wings and forked tail,
Or meet a heath of furze in flower,
I might enjoy a quiet hour,
Sit down at rest, and walk at ease,
And find a many things to please.
But here my fancy's moods admire
The naked levels till they tire,
Nor een a molehill cushion meet
To rest on when I want a seat.

(tbc)

The Fens (I)

The Great Fen Project aims to restore over 3000 hectares of fenland habitat between Huntingdon and Peterborough. In doing so it will connect Woodwalton Fen National Nature Reserve with Holme Fen National Nature Reserve to create a very large site with conservation benefits for wildlife and socio-economic benefits for people. Woodwalton Fen is an internationally important site for its communities of wetland plants and animals and this is reflected in its designation as a Special Area of Conservation.

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[Image : Woodwalton Fen [Detail] – Carry Akroyd]

Clare too wrote extensively about the fens, which in his time reached almost to Helpston.

.

Wandering by the river's edge,
I love to rustle through the sedge
And through the woods of reed to tear
Almost as high as bushes are.
Yet, turning quick with shudder chill,
As danger ever does from ill,
Fear's moment ague quakes the blood,
While plop the snake coils in the flood
And, hissing with a forked tongue,
Across the river winds along.
In coat of orange, green, and blue
Now on a willow branch I view,
Grey waving to the sunny gleam,
Kingfishers watch the ripple stream
For little fish that nimble bye
And in the gravel shallows lie.

Eddies run before the boats,
Gurgling where the fisher floats,
Who takes advantage of the gale
And hoists his handkerchief for sail
On osier twigs that form a mast--
While idly lies, nor wanted more,
The spirit that pushed him on before.

There's not a hill in all the view,
Save that a forked cloud or two
Upon the verge of distance lies
And into mountains cheats the eyes.
And as to trees the willows wear
Lopped heads as high as bushes are;
Some taller things the distance shrouds
That may be trees or stacks or clouds
Or may be nothing; still they wear
A semblance where there's nought to spare.

(tbc)

I Pluck Summer Blossoms

I pluck Summer blossoms,
And think of rich bosoms --
The bosoms I've leaned on, and worshipped, and won.
The rich valley lilies,
The wood daffodillies,
Have been found in our rambles when Summer begun.

Where I plucked thee the bluebell,
'T was where the night dew fell,
And rested till morn in the cups of the flowers;
I shook the sweet posies,
Bluebells and brere roses,
As we sat in cool shade in Summer's warm hours.

Bedlam-cowslips and cuckoos,
With freck'd lip and hooked nose,
Growing safe near the hazel of thicket and woods,
And water blobs, ladies' smocks,
Blooming where haycocks
May be found, in the meadows, low places, and floods.

And cowslips a fair band
For May ball or garland,
That bloom in the meadows as seen by the eye;
And pink ragged robin,
Where the fish they are bobbing
Their heads above water to catch at the fly.

Wild flowers and wild roses!
'T is love makes the posies
To paint Summer ballads of meadow and glen.
Floods can't drown it nor turn it,
Even flames cannot burn it;
Let it bloom till we walk the green meadows again.

Among the Green Bushes

Among the green bushes the songs of the thrushes
Are answering each other in music and glee,
While the magpies and rooks, in woods, hedges, near brooks,
Mount their Spring dwellings on every high tree.
There meet me at eve, love, we'll on grassy banks lean love,
And crop a white branch from the scented may tree,
Where the silver brook wimples and the rosy cheek dimples,
Sweet will the time of that courting hour be.

We'll notice wild flowers, love, that grow by thorn bowers, love,
Though sinful to crop them now beaded with dew;
The violet is thine, love, the primrose is mine, love,
To Spring and each other so blooming and true.
With dewdrops all beaded, the feather grass seeded,
The cloud mountains turn to dark woods in the sky;
The daisy bud closes, while sleep the hedge roses;
There's nothing seems wakeful but you love and I.

Larks sleep in the rushes, linnets perch on the bushes,
While mag's on her nest with her tail peeping out;
The moon it reveals her, yet she thinks night conceals her,
Though birdnesting boys are not roving about.
The night winds won't wrong her, nor aught that belong her,
For night is the nurse of all Nature in sleep;
The moon, love, is keeping a watch o'er the sleeping,
And dews for real pleasure do nothing but weep.

Among the green bushes we'll sit with the thrushes,
And blackbirds and linnets, an hour or two long,
That are up at the dawning, by times in the morning,
To cheer thee when milking with music and song.
Then come at the eve, love, and where the banks lean, love,
By the brook that flows on in its dribbles of song;
While the moon looks so pale, love, and the trees look so hale,
love,
I will tell thee a tale, love, an hour or two long.

from 'Summer Images'

Rich music breathes in summer's every sound;
And in her harmony of varied greens,
Woods, meadows, hedge-rows, corn-fields, all around
Much beauty intervenes,
Filling with harmony the ear and eye;
While oer the mingling scenes
Far spreads the laughing sky.

The Shepherd’s Calendar - August

[Image from Carry Akroyd’s linocut illustrating August from “The
Shepherd’s Calendar 2007” published by Carcanet Publications]

The fields are all alive with sultry noise
Of labours sounds and insects busy joys
The reapers oer their glittering sickles stoop
Startling full oft the partridge coveys up
Some oer the rustling scythe go bending on
And shockers follow where their toils have gone
First turning swaths to wither in the sun
Where mice from terrors dangers nimbly run
Leaving their tender young in fears alarm
Lapt up in nests of chimbled grasses warm
And oft themselves for safty search in vain
From the rude boy or churlish hearted swain

The Fox

[Image: ‘Deep Solitude’ by Carry Akroyd]

The shepherd on his journey heard when nigh
His dog among the bushes barking high;
The ploughman ran and gave a hearty shout,
He found a weary fox and beat him out.
The ploughman laughed and would have ploughed him in
But the old shepherd took him for the skin.
He lay upon the furrow stretched for dead,
The old dog lay and licked the wounds that bled,
The ploughman beat him till his ribs would crack,
And then the shepherd slung him at his back;
And when he rested, to his dog's surprise,
The old fox started from his dead disguise;
And while the dog lay panting in the sedge
He up and snapt and bolted through the hedge.

He scampered to the bushes far away;
The shepherd called the ploughman to the fray;
The ploughman wished he had a gun to shoot.
The old dog barked and followed the pursuit.
The shepherd threw his hook and tottered past;
The ploughman ran but none could go so fast;
The woodman threw his faggot from the way
And ceased to chop and wondered at the fray.
But when he saw the dog and heard the cry
He threw his hatchet--but the fox was bye.
The shepherd broke his hook and lost the skin;
He found a badger hole and bolted in.
They tried to dig, but, safe from danger's way,
He lived to chase the hounds another day.

From "Home Yearnings"

[Image: 'Wide Fen' by Carry Akroyd]

O for the pasture, fields, and fen!
When shall I see such rest again?

I love the weeds along the fen,
More sweet than garden flowers,
For freedom haunts the humble glen
That blest my happiest hours.
Here prison injures health and me:
I love sweet freedom and the free.

Ronald Blythe reflects on the mysteries of man and plough

Folk present last Saturday at the Festival in Helpston will remember our President, Ronnie Blythe's, address -- "Ploughing and the ploughman" [my title]. Surprise, today in the Church Times, Ronnie's weekly piece "... reflects on the mysteries of man and plough."

Speaking to Ronnie during the afternoon last week, I asked if I might use his pieces in this way --- he replied "of course you may". But remember the original is on the back page of this week's CT newpaper under Ronnie's normal title, "Word from Wormingford".

He writes:

WHAT with weather, what with machinery, farmland soon becomes out of knowledge. I have two acres, and all the other acres grow around me. The contours stay mainly unchanged, yet at the same time mysterious. There is a slight amphitheatre-like rise above Lower Bottoms, and what must have been a Slough of Despond in the Top Field for many a plough.

The old horseman (East Anglian for ploughman) tells me how it was when he drew his first furrow, setting it against a holly bush in the distant hedge. Hedgers never levelled a holly, and I see them round the village still, many of them tall trees. “It would have been about February,” said the horseman. And I see the horseman as a slight, youthful figure hip-hopping along behind his Punches, the plough tipping and reeling, its share striking sparks from the everlasting flints.

In the late 19th century, during that nadir of English agriculture, when even the horsemen, the princes of the fields, were broken and half-beaten, Henry Rider Haggard, who farmed in the Waveney Valley, watched the February ploughing with humility, familiar as he was with it.

As during our present summer, it rained and rained, although with less eventual ruination of rural life. He had spent his 20s in South Africa, filling his head with the tales that would become King Solomon’s Mines and She (who-must-be-obeyed). Then it was back to Norfolk and this shocking sight of white men in the mud. His men, his demanding fields.

It was 1898 when farmworkers, even the noble horsemen, were all lumped together in the popular mind as labourers, skill-less creatures whose duty it was simply to toil. While Haggard was shocked by their servitude, he began to see their art; for their work was nothing less. He wanted to destroy the huge social barriers that cut him off from his men, but it was not only impossible, but unthinkable.

In an Egyptian pyramid, he had seen a beautiful fresco of a king and his harvesters all rejoicing in a field together, the corn shining in their arms. If only Norfolk could be like this! If only his labourers would speak to him! He could afford to pay them twice their wage, but it would put Norfolk’s economy out, of course. So he told the world how they worked, with what brilliance, with what strength.

“Ploughing is one of those things that look a great deal easier than they are, like the writing of romances. The observer, standing at a gate to watch a man with a pair of horses strolling up and down a hill for hours on end . . . is apt to conclude that, beyond the physical endurance involved, the difficulties are small. Let him take the pair of horses, however, and plough for, say, 40 minutes, and he will come away with a greatly increased respect for the ploughman.”

As boys, we watched Captain Cardy’s plough surge to the headland like a tall, clomping horse-wave, wheel, and flood back. He had fought on the Western Front, and I always imagined to myself the jingling of the horse-brasses with the jingling of his medals. He did not call out to us.

The irony was that when all the young men fled the collapsing farms for the glory of soldiering, they were set to digging trenches — vast ditches made with spades by regimented labourers. The horsemen rode. Nobody dared beat their bayonets into ploughshares. Everyone dreamed of their own church bells and forgot their own ditches and bush-draining. From No-man’s-land they dreamed of Someone’s-land.

When I went to see Passchendaele some years ago, it was drizzling, but the mud was unlike the mud here. It was silvery in the trodden grass.

“Word from Wormingford” -- Church Times [20th July 2007]

A fragment....

[Image: "Fenscape Edge" by Carry Akroyd]

Now the meadow water smokes
And hedgerows dripping oaks
Fitter patter all around
And dimple the once dusty ground
The spinners threads about the weeds
Are hung with little drops in beads
Clover silver green becomes
And purple blue surrounds the plumbs
And every place breaths fresh and fair
When morning pays her visit there

The day is dull the heron trails
On flapping wings like heavy sails
And oer the mead so lowly swings
She fans the herbage with her wings