The Gothic John Clare


Gothic literature is often described with words such as "wonder" and "terror.” These senses, to which must be added the suspension of disbelief, are important to Gothic writing of all kinds, perhaps saving when it is parodied.


Notwithstanding the occasional melodrama, gothic writing is typically played straight, in a very serious manner. All that is required is that the imagination of the reader is willing to accept the idea that there might be something "beyond that which is immediately in front of us."

The Gothic often uses scenery of decay, death, and morbidity to achieve its effects . Nearly two centuries after Clare penned most of  these poems they maintain a dark and mysterious appeal.

 Soft as creeping feet can fall
 Still the damp green stained wall
 As the startled ghost flits bye
 Mocking murmurs faintly sigh
 Minding our intruding fear
 Such visits are unwelcome here
 Seemly then each hollow urn
 Gentle steps our steps return
 Ere so soft & ere so still
 Check our breath or how we will
 Listning spirits still reply
 Step for step & sigh for sigh
 Murmuring oer ones wearied woe
 Life as once was theirs to know
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Ploughmans songs


Here morning in the ploughmans songs is met

Ere yet one footstep shows in all the sky
& twilight in the east a doubt as yet,
Shows not her sleeve of grey to know her bye
Woke early I arose & thought that first
In winter time of all the world was I
The old owls might have hallooed if they durst
But joy just then was up & whistled bye
A merry tune which I had known full long
But could not to my memory wake it back
Until the ploughman changed it to the song
O happiness how simple is thy track
Tinged like the willow shoots the easts young brow
Glows red & finds thee singing at the plough
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Trespass


I dreaded walking where there was no path
& pressed with cautious tread the meadow swath
& always turned to look with wary eye
& always feared the owner coming by
Yet everything about where I had gone
Appeared so beautiful I ventured on
& when I gained the road where all are free
I fancied every stranger frowned on me
& every kinder look appeared to say
Youve been on trespass in your walk today
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Clare having some fun…


A Ploughmans skill at Classification after the Lineian arrangement

‘Go wipe your shoes’ says mistress shrew
To Hodge who up for's dinner drew
‘Tis'n't fitting that such hogs as you
‘Shou'd come into a house’
‘Why not’ says hodge—‘if thats the case
‘I cant come in a better place
‘For surely there is no disgrace
For hogs to herd wi' Sows

Friend take my advice...
Friend take my advice would you do yourself good
& get your house custom & peace
Take down from that doorpost the billet of Wood
& hang up your Wife in its place.

A Simile
A mushroom its goodness but shortly endures
Decaying as soon as its peeping —
Woman much like them — for its known very Well
That they seldom get better by keeping
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Teazles


The very layer of crab thats wattled in the hedge 
The old post in its red paint crushed with waggons rushing through 
The teazles prickly burrs or the little hubs of sedge 
Will bring me to the old place where I lived a moon ago 
But the flowers here they tell me in their brown red white & blue 
That their sisters are now in the fields around my house at home 
Though the sun here shines as bright & as christal be the dew 
They are not so sweet as those flowers that in our meadows grew

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The Workhouse


The Workhouse Keeper as old Thriftys man 
Transacts the business on the tyrants plan 
Supplys its tennants with their scanty food 
& tortures misery for a livlihood 
Despised & hated by the slaves he wrongs 
& een too low for satires scourging songs 
So may they yet sink down more viler things 
& starve as subjects were they reign as kings
Or when on earth their dirty triumph ends 
May hells obscurity reward its frends

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Image: A typical Workhouse scene at a mealtime.  Segregated of course.

Deliciousness


Now almost hid in trees a little gate 
Cheats us into the darkness of the wood
We almost think the day is wearing late
So dreamy is the light that dwells around
& so refreshing is its sombre mood
We feel at once shut out from sun & sky
All the deliciousness of solitude

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Heavens archway


The lightenings vivid flashes—rend the cloud 
That rides like castled crags along the sky 
& splinters them to fragments—while aloud 
The thunders heavens artillery vollies bye 
Trees crash, earth trembles—beast prepare to flye 
Almighty what a crash—yet man is free 
& walks unhurt while danger seems so nigh— 
Heavens archway now the rainbow seems to be 
That spans the eternal round of earth & sky & sea

(from ‘Child Harold’)

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Gathered beauty


The flower thats gathered beauty soon forsakes

The bliss grows feeble as we gain the prize
Love dreams of joy & in possesion wakes
Scarce time enough to hail it ere it dies
Life intermingles with its cares & sighs
& raptures dreams are ended Heavenly flower
It is not so with thee—still fancys power
Throws rainbow halos round thee & thine eyes
That once did steal their sapphire blue from even
Are beaming on thy cheeks bewitching dye
Where partial roses all their blooms had given
Still in fond memory with the rose can vie
& thy sweet bosom which to view was heaven
No lily yet a fairer hue supplies


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Image: one of Lady Clementina Harwarden daughters, taken in their house by Lady Clementina in 1861.


Solitude


Clare's publisher John Taylor removed the following lines from the published text of 'Solitude'.  Why were these lines deleted?  No-one has any idea!  SO... read what Taylor did not want you to see...

    O how sweet I cannot tell

    With thee at that hour to dwell
    Stretchd the mossy bank beside
    Lye to view the random tide
    Where no clowns has chopt from thence
    Bush nor stake to mend his fence

    Cornerd stones & pebbles round
    Breaking dasht wi mellow sound
    Wether this or that to see
    I am blest if Im wi thee
    & full dear has been the hour
    Spent wi in thy noon day bower
    Prest wi thee thy mossy seat
    O its unexpressive sweet


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The gay wasp


Natures sweet bard of spring the sable bee 
Hums round each cottage wall its minstrelsy 

& the gay wasp in its stript jacket comes 
To sunny banks in terryfying hums 
Waking the herd boys fears that ramble nigh 
& threatning vengance to each passer bye 

Swarthy yet lovly by each zepher fand 
As the soft cheek of milkmaids summer tan'd 

Glad as loves hope that meets the maidens smile 
Its soul adores interpreting the while 
Such things to the souls wishes fond & sweet 
Till the heart aches with joy
(an unfinished fragment)

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Towers of Heaven


Some like to rocks gleam in their wondering eye
Mid shoreless seas & some go swifter bye
Like mighty ships still charging on their way
To other ships move beautiful than they

Some shaped like boats their placid track pursue
Oer gentle billows of a different hue
Soft as the paper ships they often make
& float on curdling brook or meadow lake

Some white like palaces of marble seems
The towers of heaven they’re called in dreams
& which his waking fancys grandly shine
The abodes of one that instant suns divine

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Crooked shreds of footpaths


Theres somthing rich & joyful to the mind 
To view through close & field those crooked shreds 
Of footpaths that most picturesqly wind 
From town to town or some tree hidden sheds 
Where lonely cottager lifes peace enjoys 
Far far from strife & all its troubled noise 
The pent up artizan by pleasure led 
Along their winding ways right glad employs 
His sabbath leisure in the freshening air 
The grass the trees the sunny sloping sky 
From his weeks prison gives delicious fare 
But still he passes almost vacant bye 
The many charms that poesy finds to please 
Along the little footpaths such as these

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The wild flower is gay


Dying gales of sweet even 
How can you sigh so 
Though the sweet day is leaving 
& the sun sinketh low 
 How can you sigh so 
 For the wild flower is gay 
& her dew gems all glow 
For the abscence of day 
Dying gales of sweet even 
Breath music from toil 
Dusky eve is loves heaven 
& meets beautys smile

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Starnels whizz


The wild duck startles like a sudden thought
& heron slow as if it might be caught
The flopping crows on weary wing go by
& greybeard jackdaws noising as they fly
The crowds of starnels whizz & hurry by 
& darken like a cloud the evening sky
The larks like thunder rise & suther round
Then drop & nestle in the stubble ground
The wild swan hurries high & noises loud
With white necks peering to the evening cloud
The weary rooks to distant woods are gone
With length of tail the magpie winnows on 
To neighbouring tree & leaves the distant crow
While small birds nestle in the hedge below

Starnels = starlings

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Image from my friend #CarryAkroyd


The timid hare


The woodmans axe renews its hollow stroke
& barkmens noises in the woods awake
Ripping the stained bark from the fallen oak
Where crumpled fox-fern & the branching brake 
Fade 'neath their crushing feet the timid hare 
Starts from its mossy root or sedgy seat
& listening foxes leave their startled lair 
& to some blackthorns spinney make retreat

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Blackberry thieves?


I've been out blackberrying again, and came back with several pounds of the succulent fruit.  

Have you been blackberrying?  Blackberrying may appear to be a trivial subject, yes it does appear in Clare's poetry. So do lots of other ‘country activities’… collecting elderberries to make wine, or hazelnuts, or mushrooms, or water-cress, or gathering rotten wood for the cottage-fire.  All these were really important to the common people of the time.

In all parts of England -– indeed all of Europe –- the inhabitants had always used the produce of the Commons, the wild land all around them.  Even gathering rotten wood.   At dusk right across rural areas, you might see silently-moving lines of shadowy figures, their backs bent under the weight of trunks and piled-up wood, as they headed for their cottages.

Here’s Clare on the subject… (he called them ‘stickers’)
Where ‘stickers’ stroll from day to day
And gather loads of rotten wood
And poachers left in safety stray
When midnight wears its deepest mood.
(from 'Walks in the Woods')

Clare's natural sympathies are with the "stickers".  Just as the fallen wood belonged by right to the local inhabitants in the forests in all parts of Europe, so, ‘everyone’ knew (didn’t they) that fallen wood belongs to the locals right across the country – in fact, it was crucial in keeping the common people warm in winter.

However, after the Enclosures, there were major problems.  The conflict over rotten wood extended to other products of the commons -- rabbits, hares, birds, withies, reeds, cresses, sloes, dewberries, nuts, mushrooms, elderberries, wild strawberries and blackberries, not to mention eggs, snakes, deer, eels, fish, and other edibles.  The custom of collecting hedgerow nuts -- nutting -- which Clare celebrates, was particularly disliked by the landowners, their servants and the tenant-farmers.  

But when the Enclosure came, the villagers were being legally pauperised by squire, lord and government.  What grows on my fenced land… is mine!  You are a poacher, or a thief.

Here is Clare in 'The Village Minstrel' :

But who can tell the anguish of his mind 

When reformations formidable foes 

Wi civil wars on natures peace combind 

& desolation struck her deadly blows 

As curst improvment gan his fields inclose 

O greens & fields & trees farwell farwell 

His heart wrung pains his unavailing woes 

No words can utter & no tongue can tell 

When ploughs destroyd the green when groves of willows fell 

There once was springs when daises silver studs 

Like sheets of snow on every pasture spread 

There once was summers when the crow flower buds 

Like golden sunbeams brightest lustre shed 

& trees grew once that shelterd lubins head 

There once was brooks sweet wimpering down the vale 

The brooks no more—king cup & daiseys fled 

Their last falln tree the naked moors bewail 


& scarce a bush is left around to tell the mournful tale 



Am I a thief in 2025 picking pounds and pounds of blackberries from the hedgerows or waste land?  And what about the apples, damsons, sloes and rose-hips hanging over the lanes?


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Grasshoppers


Grasshoppers go in many a thumming spring
& now to stalks of tasseled sow-grass cling
That shakes & swees awhile but still keeps straight
While arching oxeye doubles with his weight
Next on the cat-tail-grass with farther bound
He springs that bends until they touch the ground
.
[Image: Swaddywell Field - Carry Akroyd (detail)]

 

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Past pleasures


I hear the read breasts faint & feeble note 

As on the thorn he prunes his drooping wing 

His song scarce warbles from his wispering throat 

He sings like one thats little cheerd to sing 

Ah little bird thy song is like my sigh 

It warbles not on hapiness to come 

Its no prophetic news of summer nigh 

Its not excited by the daisys bloom 

The Sad reverse thy songs & solem dirge 

That rings the dying year its passing bell 

As friendship bends oer death[s] departing virge 

& weeping takes his leave farwell farwell 

Still read breast dear to me thy mournful lay 

That mourns the memory of past pleasures day 

 

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I am free


A late Clare poem written whilst he was in the Northampton asylum from which he was never released.

Poets love nature & themselves are love

The scorn of fools & mock of idle pride 

The vile in nature worthless deeds approve 

They court the vile & spurn all good beside 

Poets love nature like the calm of heaven 

Her gifts like heavens love spread far & wide 

In all her works there are no signs of leaven 

Sorrow abashes from her simple pride 

Her flowers like pleasures have their seasons birth

& bloom through region[s] here below 

They are her very scriptures upon earth 

& teach us simple mirth where e'er we go 

Even in prison they can solace me 

For where they bloom God is & I am free


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The wild woodbine


An innocent rural poem?  One of Clare’s early sensuous verses?  
Quite common in his early output, but frowned upon by his publisher.  Very few ever got published.  However here he is much later… reliving his youth?

I wish I was the wild woodbine
Twining round the white thorn bough
I wish I was the wild hedge rose
Upon thy bonny bosom now
To feel thy thumb & finger nip
About my twisted stem
The flowers now toutch thy ruby lip
To kiss their mornings gem

My flowers would kiss those lips o' thine
That kiss'd the dewdrops made divine

I wish I was what I am not
The wild flower nodding on the Lea
To win thy notice on the spot
& touch thy bosom fond and free
To touch thy bosom lily white
To kiss thy shoulders marble bright
& in thy bosom dwell
To be thy hearts one whole delight
In thought and sense as well

My hearts one love could I but be
A flower I'd gaze my soul on thee


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A little lane


A Little Lane the brook runs close beside

& spangles in the sunshine while the fish glide swiftly by
& hedges leafing with the green spring tide
From out their greenery the old birds fly
& chirp & whistle in the morning sun
The pilewort glitters 'neath the pale blue sky
The little robin has its nest begun
& grass green linnets round the bushes fly
How Mild the Spring Comes in the daisy buds
Lift up their golden blossoms to the sky
How lovely are the pingles & the woods
Here a beetle runs & there a fly
Rests on the Arum leaf in bottle green
& all the Spring in this Sweet lane is seen


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Come sweet Nelly


Come Nelly while the light remains 
& let us ramble down the lanes 
Where bloom the Canterbury bells 
& where the foxglove flower reposes 
Where the chaffinch sleeps in lonely dells 
In the dog-briar bushes hung with roses
Come sweet Nelly charming creature 
Let thy evening walk be mine 
Womans charms in every feature 
Sweet as is the eglantine 
Let us walk the heath together 
In light of love & summer weather


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A thin disguise


& what is Life an hour-glass on the run

A mist retreating from the morning sun
A busy bustling still repeated dream
Its length a minutes pause a moments thought
& happiness a bubble on the stream
That in the act of seizing shrinks to nought
What are vain Hopes the puffing gale of morn
That of its charms divests the dewy lawn
& robs each floweret of its gem & dies
A cobweb hiding disappointments thorn
Which stings more keenly through the thin disguise


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Sweetest hours


The sweetest hours that ever come 
Are those which thou dost bring
& sure the fairest flowers that bloom 
Are partners of the Spring

Ive heard in Autumns early reign 
Her first her gentlest song
Ive markd her change oer wood & plain
& wishd her reign were long

Ive met the Winters biting breath 
In Natures wild retreat
When Silence listens as in death
& thought its wildness sweet


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Image: Blooms from my wildflower meadow


A coy lover


The Moth a coy lover now ventures to creep
Out at night to steal kisses from flowers when asleep
But the Butterflye bold as the Bee for a plot
Kisses the flowers all the day whether willing or not
Now no longer able his sports to pursue
He lay neath a leaf to get out of the dew
Heres the Cockchaffer to with his old sullen drone
Sings as if he thought no song sweet as his own
The Bee too with grains of red dust on each thigh
Who had drained thro the day all the honey flowers dry
& in vain he attempted straight forward to drive
He reeled and mistook the way home to his hive
Till lost on this spot in a considerable fright
He makes on this thistle a bed for the night
Heres the rope dancing spider a trusting his threads
From his web on the branches high over their heads
Ah well may you laugh at the sports he doth make
While he dances away in no fears for his neck
The rest were all coupled & happy & they
Sang the old merry songs which they sang at his day


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