Rural Morning (VII)

Last on the road the cowboy careless swings,
Leading tamed cattle in their tending strings,
With shining tin to keep his dinner warm
Swung at his back, or tucked beneath his arm;
Whose sun-burnt skin, and cheeks chuffed out with fat,
Are dyed as rusty as his napless hat.
And others, driving loose their herds at will,
Are now heard whooping up the pasture-hill;
Peeled sticks they bear of hazel or of ash,
The rib-marked hides of restless cows to thrash.
In sloven garb appears each bawling boy,
As fit and suiting to his rude employ;
His shoes, worn down by many blundering treads,
Oft show the tenants needing safer sheds:
The pithy bunch of unripe nuts to seek,
And crabs sun-reddened with a tempting cheek,
From pasture hedges, daily puts to rack
His tattered clothes, that scarcely screen the back,--
Daubed all about as if besmeared with blood,
Stained with the berries of the brambly wood
 

Ronald on Clare [click for full article]

[Ronald Blythe]

Some film-makers have come to make a DVD about the poet John Clare. They move the furniture around, put the outraged cat on the doorstep, light the scene where I am to sit on a great old wooden chair on which I rarely sit, and we begin. "Say all that you want to: we can always cut."

I have spoken so much about this writer that I am worried about sounding glib. His poetry and prose steady my answers to the interviewer. His hawks and Northamptonshire birds of all kinds float in the air once more. The heatwave rain falls luxiously on the dense flowers beyond the window. The cross cat is let in.

Word from Wormingford
Church Times 23rd June 2006 

Rural Morning (VI)

Hodge, in his waggon, marks the wondrous tongue,
And talks with echo as he drives along;
Still cracks his whip, bawls every horse's name,
And echo still as ready bawls the same:
The puzzling mystery he would gladly cheat,
And fain would utter what it can't repeat,
Till speedless trials prove the doubted elf
As skilled in noise and sounds as Hodge himself;
And, quite convinced with the proofs it gives,
The boy drives on and fancies echo lives,
Like some wood-fiend that frights benighted men,
The troubling spirit of a robber's den.

And now the blossom of the village view,
With airy hat of straw, and apron blue,
And short-sleeved gown, that half to guess reveals
By fine-turned arms what beauty it conceals;
Whose cheeks health flushes with as sweet a red
As that which stripes the woodbine oer her head;
Deeply she blushes on her morn's employ,
To prove the fondness of some passing boy,
Who, with a smile that thrills her soul to view,
Holds the gate open till she passes through,
While turning nods beck thanks for kindness done,
And looks--if looks could speak-proclaim her won.
With well-scoured buckets on proceeds the maid,
And drives her cows to milk beneath the shade,
Where scarce a sunbeam to molest her steals--
Sweet as the thyme that blossoms where she kneels;
And there oft scares the cooing amorous dove
With her own favoured melodies of love.
Snugly retired in yet dew-laden bowers,
This sweetest specimen of rural flowers
Displays, red glowing in the morning wind,
The powers of health and nature when combined.
 

Rural Morning (V)

And lowing steers that hollow echoes wake
Around the yard, their nightly fast to break,
As from each barn the lumping flail rebounds
In mingling concert with the rural sounds;
While oer the distant fields more faintly creep
The murmuring bleatings of unfolding sheep,
And ploughman's callings that more hoarse proceed
Where industry still urges labour's speed,
The bellowing of cows with udders full
That wait the welcome halloo of "come mull,"
And rumbling waggons deafening again,
Rousing the dust along the narrow lane,
And cracking whips, and shepherd's hooting cries,
From woodland echoes urging sharp replies.
 

Rural Morning (IV)

And now, when toil and summer's in its prime,
In every vill, at morning's earliest time,
To early-risers many a Hodge is seen,
And many a Dob's heard clattering oer the green.

Now straying beams from day's unclosing eye
In copper-coloured patches flush the sky,
And from night's prison strugglingly encroach,
To bring the summons of warm day's approach,
Till, slowly mounting oer the ridge of clouds
That yet half shows his face, and half enshrouds,
The unfettered sun takes his unbounded reign
And wakes all life to noise and toil again:
And while his opening mellows oer the scenes
Of wood and field their many mingling greens,
Industry's bustling din once more devours
The soothing peace of morning's early hours:
The grunt of hogs freed from their nightly dens
And constant cacklings of new-laying hens,
And ducks and geese that clamorous joys repeat
The splashing comforts of the pond to meet,
And chirping sparrows dropping from the eaves
For offal kernels that the poultry leaves,
Oft signal-calls of danger chittering high
At skulking cats and dogs approaching nigh.

(tbc) 

Rural Morning (III)

In hobbling speed he roams the pasture round,
Till hunted Dobbin and the rest are found;
Where some, from frequent meddlings of his whip,
Well know their foe, and often try to slip;
While Dobbin, tamed by age and labour, stands
To meet all trouble from his brutish hands,
And patient goes to gate or knowly brake,
The teasing burden of his foe to take;
Who, soon as mounted, with his switching weals,
Puts Dob's best swiftness in his heavy heels,
The toltering bustle of a blundering trot
Which whips and cudgels neer increased a jot,
Though better speed was urged by the clown--
And thus he snorts and jostles to the town.

(tbc) 

Rural Morning (II)

Onward he jolls, nor can the minstrel-throngs
Entice him once to listen to their songs;
Nor marks he once a blossom on his way;
A senseless lump of animated clay--
With weather-beaten hat of rusty brown,
Stranger to brinks, and often to a crown;
With slop-frock suiting to the ploughman's taste,
Its greasy skirtings twisted round his waist;
And hardened high-lows clenched with nails around,
Clamping defiance oer the stoney ground,
The deadly foes to many a blossomed sprout
That luckless meets him in his morning's rout.
 

Rural Morning (I)

Soon as the twilight through the distant mist
In silver hemmings skirts the purple east,
Ere yet the sun unveils his smiles to view
And dries the morning's chilly robes of dew,
Young Hodge the horse-boy, with a soodly gait,
Slow climbs the stile, or opes the creaky gate,
With willow switch and halter by his side
Prepared for Dobbin, whom he means to ride;
The only tune he knows still whistling oer,
And humming scraps his father sung before,
As "Wantley Dragon," and the "Magic Rose,"
The whole of music that his village knows,
Which wild remembrance, in each little town,
From mouth to mouth through ages handles down.

(tbc)
 

The Village Minstrel

XVII.

And dear to him the rural sports of May,
When each cot-threshold mounts its hailing bough,
And ruddy milkmaids weave their garlands gay,
Upon the green to crown the earliest cow;
When mirth and pleasure wear a joyful brow;
And join the tumult with unbounded glee
The humble tenants of the pail and plough:
He lov'd "old sports," by them reviv'd, to see,
But never car'd to join in their rude revelry
 

A fragment...

The linnet stopt her song to clean
Her spreading wings of yellow green
And turn his head as liking well
To smooth the dropples as they fell

One scarce could keep one's path aright
From gazing upward at the sight

The boys for wet are forced to pass
The cuckoo flowers among the grass
To hasten on as well they may
For hedge or tree or stack of hay
Where they for shelter can abide
Safe seated by its sloping side
That by the blackthorn thicket cowers
A shelter in the strongest showers
 

Meet Me in the Green Glen

Love, meet me in the green glen,
Beside the tall elm tree,
Where the sweet briar smells so sweet agen;
There come with me,
Meet me in the green glen.

Meet me at the sunset
Down in the green glen,
Where we've often met
By hawthorn tree and foxes' den,
Meet me in the green glen.

Meet me in the green glen,
By sweet briar bushes there;
Meet me by your own sen,
Where the wild thyme blossoms fair.
Meet me in the green glen.

Meet me by the sweet briar,
By the mole hill swelling there;
When the West glows like a fire
God's crimson bed is there.
Meet me in the green glen.
 

The Vixen

Among the taller wood with ivy hung,
The old fox plays and dances round her young.
She snuffs and barks if any passes bye
And swings her tail and turns prepared to fly.
The horseman hurries bye, she bolts to see,
And turns agen, from danger never free.
If any stands she runs among the poles
And barks and snaps and drives them in the holes.
The shepherd sees them and the boy goes bye
And gets a stick and progs the hole to try.
They get all still and lie in safety sure
And out again when every thing's secure
And start and snap at blackbirds bouncing bye
To fight and catch the great white butterfly.
 

The Soldier

Home furthest off grows dearer from the way;
And when the army in the Indias lay
Friends' letters coming from his native place
Were like old neighbours with their country face.
And every opportunity that came
Opened the sheet to gaze upon the name
Of that loved village where he left his sheep
For more contented peaceful folk to keep;
And friendly faces absent many a year
Would from such letters in his mind appear.
And when his pockets, chafing through the case,
Wore it quite out ere others took the place,
Right loath to be of company bereft
He kept the fragments while a bit was left.
 

Decay (final)

Aye, Poesy hath passed away,
And Fancy's visions undeceive us;
The night hath ta'en the place of day,
And why should passing shadows grieve us?
I thought the flowers upon the hills
Were flowers from Adam's open gardens;
But I have had my summer thrills,
And I have had my heart's rewardings.
So Poesy is on the wane,
I hardly know her face again.

And Friendship it hath burned away,
Like to a very ember cooling,
A make-believe on April day
That sent the simple heart a-fooling;
Mere jesting in an earnest way,
Deceiving on and still deceiving;
And Hope is but a fancy-play,
And Joy the art of true believing;
For Poesy is on the wane,
 

Decay (III)

Love's sun went down without a frown,
For very joy it used to grieve us;
I often think the West is gone,
Ah, cruel Time, to undeceive us.
The stream it is a common stream,
Where we on Sundays used to ramble,
The sky hangs oer a broken dream,
The bramble's dwindled to a bramble!
O Poesy is on the wane,
I cannot find her haunts again.

Mere withered stalks and fading trees,
And pastures spread with hills and rushes,
Are all my fading vision sees;
Gone, gone are rapture's flooding gushes!
When mushrooms they were fairy bowers,
Their marble pillars overswelling,
And Danger paused to pluck the flowers
That in their swarthy rings were dwelling.
Yes, Poesy is on the wane,
Nor joy nor fear is mine again.
(tbc) 

Decay (II)

I sat beside the pasture stream,
When Beauty's self was sitting by,
The fields did more than Eden seem
Nor could I tell the reason why.
I often drank when not adry
To pledge her health in draughts divine;
Smiles made it nectar from the sky,
Love turned een water into wine.
O Poesy is on the wane,
I cannot find her face again.

The sun those mornings used to find,
Its clouds were other-country mountains,
And heaven looked downward on the mind,
Like groves, and rocks, and mottled fountains.
Those heavens are gone, the mountains grey
Turned mist--the sun, a homeless ranger,
Pursues alone his naked way,
Unnoticed like a very stranger.
O Poesy is on the wane,
Nor love nor joy is mine again.
(tbc)
 

Decay (I)

O Poesy is on the wane,
For Fancy's visions all unfitting;
I hardly know her face again,
Nature herself seems on the flitting.
The fields grow old and common things,
The grass, the sky, the winds a-blowing;
And spots, where still a beauty clings,
Are sighing "going! all a-going!"
O Poesy is on the wane,
I hardly know her face again.

The bank with brambles overspread,
And little molehills round about it,
Was more to me than laurel shades,
With paths of gravel finely clouted;
And streaking here and streaking there,
Through shaven grass and many a border,
With rutty lanes had no compare,
And heaths were in a richer order.
But Poesy is on the wane,
I hardly know her face again.

(tbc) 

In Hilly-Wood

How sweet to be thus nestling deep in boughs,
Upon an ashen stoven pillowing me;
Faintly are heard the ploughmen at their ploughs,
But not an eye can find its way to see.
The sunbeams scarce molest me with a smile,
So thick the leafy armies gather round;
And where they do, the breeze blows cool the while,
Their leafy shadows dancing on the ground.
Full many a flower, too, wishing to be seen,
Perks up its head the hiding grass between.-
In mid-wood silence, thus, how sweet to be;
Where all the noises, that on peace intrude,
Come from the chittering cricket, bird, and bee,
Whose songs have charms to sweeten solitude.
 

16 April 1825

Took a walk in the fields, bird-nesting and botanizing, and had like to have been taken up as a poacher in Hilly Wood, by a meddlesome, conceited gamekeeper belonging to Sir John Trollope. He swore that he had seen me in the act, more than once, of shooting game, when I never shot even so much as a sparrow in my life. What terrifying rascals these woodkeepers and gamekeepers are! They make a prison of the forest, and are its gaolers.

Clare's Diary

Spring's Messengers

(Spring is late all over the country... so a nostalgic look at an early (false?) Spring from Clare)

Where slanting banks are always with the sun
The daisy is in blossom even now;
And where warm patches by the hedges run
The cottager when coming home from plough
Brings home a cowslip root in flower to set.
Thus ere the Christmas goes the spring is met
Setting up little tents about the fields
In sheltered spots. - Primroses when they get
Behind the wood's old roots, where ivy shields
Their crimpled, curdled leaves, will shine and hide.
Cart ruts and horses' footings scarcely yield
A slur for boys, just crizzled and that's all.
Frost shoots his needles by the small dyke side,
And snow in scarce a feather's seen to fall.

 

The Yellowhammer

When shall I see the white-thorn leaves agen,
And yellowhammers gathering the dry bents
By the dyke side, on stilly moor or fen,
Feathered with love and nature's good intents?
Rude is the tent this architect invents,
Rural the place, with cart ruts by dyke side.
Dead grass, horse hair, and downy-headed bents
Tied to dead thistles--she doth well provide,
Close to a hill of ants where cowslips bloom
And shed oer meadows far their sweet perfume.
In early spring, when winds blow chilly cold,
The yellowhammer, trailing grass, will come
To fix a place and choose an early home,
With yellow breast and head of solid gold.
 

From 'June' (in anticipation).

Now summer is in flower and natures hum
Is never silent round her sultry bloom
Insects as small as dust are never done
Wi' glittering dance and reeling in the sun
And green wood fly and blossom haunting bee
Are never weary of their melody
Round field hedge now flowers in full glory twine
Large bindweed bells wild hop and streakd woodbine
That lift athirst their slender throated flowers
Agape for dew falls and for honey showers
These round each bush in sweet disorder run
And spread their wild hues to the sultry sun. 

A fragment...

Clouds rack and drive before the wind
In shapes and forms of every kind
Like waves that rise without the roars
And rocks that guard untrodden shores
Now castles pass majestic bye
And ships in peaceful havens lie
These gone ten thousand shapes ensue
For ever beautiful and new
 

The Lament of Swordy Well (Final)

Carry's "Wet Meadow" brings to an end Clare's Lament.

Do visit Swaddywell if you are in the Helpston vicinity, it is very much worth the effort.

And if I could find a friend
With no deciet to sham
Who'd send me some few sheep to tend
And leave me as I am
To keep my hills from cart and plough
And strife and mongerel men
And as spring found me find em now
I should look up agen

And save his Lordships woods that past
The day of danger dwell
Of all the fields I am the last
That my own face can tell
Yet what with stone pits delving holes
And strife to buy and sell
My name will quickly be the whole
Thats left of swordy well 

The Lament of Swordy Well (VIII)

Carry's "Landfill site" (www.carryakroyd.co.uk).
Would this have happened to Swaddywell without the Langdyke Trust?

Lord bless ye I was kind to all
And poverty in me
Could always find a humble stall
A rest and lodging free
Poor bodys with a hungry ass
I welcomed many a day
And gave him tether room to grass
And never said him nay

There was a time my bit of ground
Made freemen of the slave
The ass no pinard dare to pound
When I his supper gave
The gipseys camp was not afraid
I made his dwelling free
Till vile enclousure came and made
A parish slave of me

The gipseys further on sojourn
No parish bounds they like
No sticks I own and would earth burn
I shouldnt own a dyke
I am no friend to lawless work
Nor would a rebel be
And why I call a christian turk
Is they are turks to me
(tbc)