Excerpt from "The Village Minstrel"

O who can tell the sweets of May-day's morn,
To waken rapture in a feeling mind,
When the gilt East unveils her dappled dawn,
And the gay wood-lark has its nest resigned,
As slow the sun creeps up the hill behind;
Moon reddening round, and daylight's spotless hue,
As seemingly with rose and lily lined;
While all the prospect round beams fair to view,
Like a sweet Spring flower with its unsullied dew.

Ah, often, brushing through the dripping grass,
Has he been seen to catch this early charm,
List'ning to the "love song" of the healthy lass
Passing with milk-pail on her well-turned arm,
Or meeting objects from the rousing farm--
The jingling plough-teams driving down the steep
Waggon and cart, and shepherd dog's alarm,
Raising the bleatings of unfolding sheep,
As o'er the mountain top the red sun 'gins to peep.

The Shepherd's Calendar - May

[Image from Carry Akroyd’s linocut illustrating May from “The Shepherd’s Calendar 2007” published by Carcanet Publications]

My wild field catalogue of flowers
Grows in my ryhmes as thick as showers
Tedious and long as they may be
To some, they never weary me

The wood and mead and field of grain
I coud hunt oer and oer again
And talk to every blossom wild
Fond as a parent to a child

And cull them in my childish joy
By swarms and swarms and never cloy
When their lank shades oer morning pearls
Shrink from their lengths to little girls

And like the clock hand pointing one
Is turnd and tells the morning gone
They leave their toils for dinners hour
Beneath some hedges bramble bower

And season sweet their savory meals
Wi joke and tale and merry peals
Of ancient tunes from happy tongues
While linnets join their fitful songs

Perchd oer their heads in frolic play
Among the tufts of motling may
The young girls whisper things of love
And from the old dames hearing move

Oft making 'love knotts' in the shade
Of blue green oat or wheaten blade
And trying simple charms and spells
That rural superstition tells

They pull the little blossom threads
From out the knapweeds button heads
And put the husk wi many a smile
In their white bosoms for awhile

Who if they guess aright the swain
That loves sweet fancys trys to gain
Tis said that ere its lain an hour
Twill blossom wi a second flower

And from her white breasts hankerchief
Bloom as they ne'er had lost a leaf
When signs appear that token wet
As they are neath the bushes met

The girls are glad wi hopes of play
And harping of the holiday

The Village Minstrel


LVI.
And he could tell how the shy squirrel far'd,
Who often stood its busy toils to see;
How against winter it was well prepar'd
With many a store in hollow root or tree,
As if being told what winter's wants would be:
Its nuts and acorns he would often find,
And hips and haws too, heaped plenteously
In snug warm corner that broke off the wind;
With leafy nest made nigh, that warm green mosses lin'd.

LVII.
'Twas thus his fond inquiry us'd to trace
Through nature's secret with unwearied eye,
And watch the shifting seasons' changing grace;
Spring's first wild flower, and summer's painted sky,
The insect creeping, and the birds that fly;
The autumn's dying breeze; the winter-wind,
That bellow'd round his hut most mournfully:
And as his years increas'd his taste refin'd,
And fancy with new charms enlighten'd up his mind.

Ploughman Singing


Here morning in the ploughman's songs is met
Ere yet one footstep shows in all the sky,
And twilight in the east, a doubt as yet,
Shows not her sleeve of grey to know her bye.
Woke early, I arose and thought that first
In winter time of all the world was I.
The old owls might have hallooed if they durst,
But joy just then was up and whistled bye
A merry tune which I had known full long,
But could not to my memory wake it back,
Until the ploughman changed it to the song.
O happiness, how simple is thy track.
--Tinged like the willow shoots, the east's young brow
Glows red and finds thee singing at the plough.

Sudden Shower

Black grows the southern sky, betokening rain,
And humming hive-bees homeward hurry bye:
They feel the change; so let us shun the grain,
And take the broad road while our feet are dry.
Ay, there some dropples moistened on my face,
And pattered on my hat--tis coming nigh!
Let's look about, and find a sheltering place.
The little things around, like you and I,
Are hurrying through the grass to shun the shower.
Here stoops an ash-tree--hark! the wind gets high,
But never mind; this ivy, for an hour,
Rain as it may, will keep us dryly here:
That little wren knows well his sheltering bower,
Nor leaves his dry house though we come so near.

To Anna Three Years Old (2)


Thou’lt leave my hand with eager speed
The new discovered things to see--
The old pond with its water weed
And danger-daring willow tree,
Who leans an ancient invalid
O’er spots where deepest waters be.

In sudden shout and wild surprise
I hear thy simple wonderment,
As new things meet thy childish eyes
And wake some innocent intent;

As bird or bee or butterfly
Bounds through the crowd of merry leaves
And starts the rapture of thine eye
To run for what it ne’er achieves.

But thou art on the bed of pain,
So tells each poor forsaken toy.
Ah, could I see that happy hour
When these shall be thy heart's employ,
And see thee toddle oer the plain,
And stoop for flowers, and shout for joy.

To Anna Three Years Old (1)

My Anna, summer laughs in mirth,
And we will of the party be,
And leave the crickets in the hearth
For green fields' merry minstrelsy.

I see thee now with little hand
Catch at each object passing bye,
The happiest thing in all the land
Except the bee and butterfly.

And limpid brook that leaps along,
Gilt with the summer’s burnished gleam,
Will stop thy little tale or song
To gaze upon its crimping stream.

The Shepherd's Daughter


How sweet is every lengthening day,
And every change of weather,
When Summer comes, on skies blue grey,
And brings her hosts together,
Her flocks of birds, her crowds of flowers,
Her sunny-shining water!
I dearly love the woodbine bowers,
That hide the Shepherd's Daughter--
In gown of green or brown or blue,
The Shepherd's Daughter, leal and true.

How bonny is her lily breast!
How sweet her rosy face!
She'd give my aching bosom rest,
Where love would find its place.
While earth is green, and skies are blue,
And sunshine gilds the water,
While Summer's sweet and Nature true,
I'll love the Shepherd's Daughter--
Her nut brown hair, her clear bright eye,
My daily thought, my only joy.

She's such a simple, sweet young thing,
Dressed in her country costume.
My wits had used to know the Spring,
Till I saw, and loved, and lost 'em.
How quietly the lily lies
Upon the deepest water!
How sweet to me the Summer skies!
And so's the Shepherd's Daughter--
With lily breast and rosy face
The sweetest maid in any place.

My singing bird, my bonny flower,
How dearly could I love thee!
To sit with thee one pleasant hour,
If thou would'st but approve me!
I swear by lilies white and yellow,
That flower on deepest water,
Would'st thou but make me happy fellow,
I'd wed the Shepherd's Daughter!
By all that's on the earth or water,
I more than love the Shepherd's Daughter.

Love's Riddle















"Unriddle this riddle, my own Jenny love,
Unriddle this riddle for me,
And if ye unriddle the riddle aright,
A kiss your prize shall be,
And if ye riddle the riddle all wrong,
Ye're treble the debt to me:

I'll give thee an apple without any core;
I'll give thee a cherry where stones never be;
I'll give thee a palace, without any door,
And thou shalt unlock it without any key;
I'll give thee a fortune that kings cannot give,
Nor any one take from thee."

"How can there be apples without any core?
How can there be cherries where stones never be?
How can there be houses without any door?
Or doors I may open without any key?
How can'st thou give fortunes that kings cannot give,
When thou art no richer than me?"

"My head is the apple without any core;
In cherries in blossom no stones ever be;
My mind is love's palace without any door,
Which thou can'st unlock, love, without any key.
My heart is the wealth, love, that kings cannot give,
Nor any one take it from thee.

So there are love's riddles, my own Jenny love,
Ye cannot unriddle to me,
And for the one kiss you've so easily lost
I'll make ye give seven to me.
To kiss thee is sweet, but 't is sweeter by far
To be kissed, my dear Jenny, by thee.

Come pay me the forfeit, my own Jenny love;
Thy kisses and cheeks are akin,
And for thy three sweet ones I'll give thee a score
On thy cheeks, and thy lips, and thy chin."
She laughed while he gave her, as much as to say,
"T'were better to lose than to win."

The Shepherd's Calendar - April


[Detail from Carry Akroyd’s linocut illustrating April from “The Shepherd’s Calendar 2007” published by Carcanet Publications]

The shepherds on thy pasture walks
The first fair cowslip finds
Whose tufted flowers on slender stalks
Keep nodding to the winds
And tho thy thorns withold the may
Their shades the violets bring
Which childern stoop for in their play
As tokens of the spring

The time when daiseys bloom divine
With thy calm hours begun
And crowflowers blazing blooms are thine
Bright childern of the sun
Along thy woodlands shaded nooks
The primrose wanly comes
And shining in thy pebley brooks
The horse bleb gaily blooms

The long lost charm of sparkling dew
Thy gentle birth receives
And on thy wreathing locks we view
The first infolding leaves
And seeking firstling buds and flowers
The trials of thy skill
Were pastimes of my infant hours
And so they haunt me still

To Phoebe of the Scottish glen.


There never was a fairer thing
All Scotland's glens and mountains through.
The siller gowans of the Spring,
Besprent with pearls of mountain dew,
The maiden blush upon the brere,
Far distant from the haunts of men,
Are nothing half so sweet or dear
As Phoebe of the Scottish glen.

How handsome is her naked foot,
Moist with the pearls of Summer dew:
The siller daisy's nothing to 't,
Nor hawthorn flowers so white to view,
She's sweeter than the blooming brere,
That blossoms far away from men:
No flower in Scotland's half so dear
As Phoebe of the Scottish glen.

The Thrush's Nest

We watched a thrush yesterday skipping around the lawns, and around this time each year our 'house' thrush sits on the top-most branch at dusk and sings wonderfully to all who might listen.
Here is the results of Clare finding the thrush's nest:

Within a thick and spreading hawthorn bush,
That overhung a molehill large and round,
I heard from morn to morn a merry thrush
Sing hymns to sunrise, and I drank the sound
With joy; and, often an intruding guest,
I watched her secret toils from day to day--
How true she warped the moss, to form a nest,
And modelled it within with wood and clay;
And by and by, like heath-bells gilt with dew,
There lay her shining eggs, as bright as flowers,
Ink-spotted-over shells of greeny blue;
And there I witnessed in the sunny hours
A brood of nature's minstrels chirp and fly,
Glad as that sunshine and the laughing sky.

March (From Hone's Year Book)

The insect world, now sunbeams higher climb,
Oft dream of Spring, and wake before their time:
Bees stroke their little legs across their wings,
And venture short flights where the snow-drop hings
Its silver bell, and winter aconite
Its buttercup-like flowers that shut at night,
With green leaf furling round its cup of gold,
Like tender maiden muffled from the cold:
They sip and find their honey-dreams are vain,
Then feebly hasten to their hives again.
The butterflies, by eager hopes undone,
Glad as a child come out to greet the sun,
Beneath the shadows of a sunny shower
Are lost, nor see to-morrow's April flower.

March Nosegay


[A posy (poesy) from my garden for my Clare friends]

The bonny March morning is beaming
   In mingled crimson & grey
White clouds are streaking and creaming
   The sky till the noon of the day
The fir deal looks darker and greener
   And grass hills below look the same
The air all about is serener
   The birds less familliar and tame

Heres two or three flowers for my fair one,
   Wood primroses & celandine too
I oft look about for a rare one
   To put in a posy for you
The birds look so cleanly and neatly
   Though theres not a leaf on the grove
The sun shines about me so sweetly
   I cannot help thinking of love

So where the blue violets are peeping
   By the warm sunny side of the woods
& the primrose 'neath early morn weeping
   Amid a large cluster of buds
The morning it was such a rare one
   So dewy so sunny and fair
I sought the wild flowers for my fair one
   To wreathe in her glossy black hair.

The Later Poems of John Clare 1837-1864
ed. Eric Robinson and David Powell
(Oxford, 2 volumes, I-II, 1984)

Nature's Hymn to the Deity (excerpt)

All nature owns with one accord
The great and universal Lord:
The sun proclaims him through the day,
The moon when daylight drops away,
The very darkness smiles to wear
The stars that show us God is there,
On moonlight seas soft gleams the sky
And "God is with us" waves reply.

The Gipsy's Camp

How oft on Sundays, when I'd time to tramp,
My rambles led me to a gipsy's camp,
Where the real effigy of midnight hags,
With tawny smoked flesh and tattered rags,
Uncouth-brimmed hat, and weather-beaten cloak,
Neath the wild shelter of a knotty oak,
Along the greensward uniformly pricks
Her pliant bending hazel's arching sticks:
While round-topt bush, or briar-entangled hedge,
Where flag-leaves spring beneath, or ramping sedge,
Keeps off the bothering bustle of the wind,
And give the best retreat she hopes to find.
How oft I've bent me oer her fire and smoke,
To hear her gibberish tale so quaintly spoke,
While the old Sybil forged her boding clack,
Twin imps the meanwhile bawling at her back;
Oft on my hand her magic coin's been struck,
And hoping chink, she talked of morts of luck:
And still, as boyish hopes did first agree,
Mingled with fears to drop the fortune's fee,
I never failed to gain the honours sought,
And Squire and Lord were purchased with a groat.
But as man's unbelieving taste came round,
She furious stampt her shoeless foot aground,
Wiped bye her soot-black hair with clenching fist,
While through her yellow teeth the spittle hist,
Swearing by all her lucky powers of fate,
Which like as footboys on her actions wait,
That fortune's scale should to my sorrow turn,
And I one day the rash neglect should mourn;
That good to bad should change, and I should be
Lost to this world and all eternity;
That poor as Job I should remain unblest:--
(Alas, for fourpence how my die is cast!)
Of not a hoarded farthing be possesst,
And when all's done, be shoved to hell at last!

The Gipsy Lass

Just like the berry brown is my bonny lassie O!
And in the smoky camp lives my bonny lassie O!
Where the scented woodbine weaves
Round the white-thorn's glossy leaves:
The sweetest maid on earth is my gipsy lassie O!

The brook it runs so clear by my bonny lassie O!
And the blackbird singeth near my bonny lassie O!
And there the wild briar rose
Wrinkles the clear stream as it flows
By the smoky camp of my bonny lassie O!

The groundlark singeth high o'er my bonny lassie O!
The nightingale lives nigh my gipsy lassie O!
They're with her all the year,
By the brook that runs so clear,
And there's none in all the world like my gipsy lassie O!

With a bosom white as snow is my gipsy lassie O!
With a foot like to the roe is my bonny lassie O!
Like the sweet birds she will sing,
While echo it will ring:
Sure there's none in the world like my bonny lassie O!

Vagabondage in a Native Place

Sometimes I watch a film or read a book, come-to and tell myself, 'But I was there! I heard it, I saw it.' It is a not uncommon experience. It occurs when I read John Clare on the gypsies. He both hobnobbed with them and was fastidious where they were concerned, was prejudiced and unprejudiced at the same time. He wrote many poems about them which envied their lot, their freedom, their women, and one poem which envied them nothing.

The snow falls deep; the Forest lies alone:
The boy goes hasty for his load of brakes,
Then thinks upon the fire and hurries back;
The Gipsy knocks his hands and tucks them up,
And seeks his squalid camp, half hid in snow,
Beneath the oak, which breaks away the wind,
And bushes close, with snow like hovel warm:
There stinking mutton roasts upon the coals,
And the half-roasted dog squats close and ribs,
Then feels the heat too strong and goes aloof;
He watches well, but none a bit can spare.
And vainly waits the morsel thrown away:
'Tis thus they live- a picture to the place;
A quiet, pilfering, unprotected race.

It is masterly in its realism. Though one observation would not be ours- 'a picture to the place'. Today's Travellers' encampment has swapped the vardo for the mobile home, horses for horse-power and horse-dealing for scrap metal, and is anathema in our twinked countryside. We, the council, intended the Traveller (is 'gypsy' P.C.?- or not? - it is all rather worrying) to just winter on the official site, then push on, not to purchase them and turn them into messy caravan additions to our village. We like the gypsies best at the horse-fairs, when they return to being their colourful selves, painted wagons, fortune tellers, dark-eyed beauties, lively yearlings and all. Appleby Fair is where they should be. No scrap-dealing there.

‘John Clare and the Gypsies’
An excerpt from 'A Writer's Day-Book', by Ronald Blythe,

published by Trent Editions, 2006

(As always, a treat)!

Idle Fame

Clare on 'celebrity'...

I would not wish the burning blaze
Of fame around a restless world,
The thunder and the storm of praise
In crowded tumults heard and hurled.
I would not be a flower to stand
The stare of every passer-bye;
But in some nook of fairyland,
Seen in the praise of beauty's eye.

The Shepherd's Calendar - March

[Detail from Carry Akroyd’s linocut illustrating March from “The Shepherd’s Calendar 2007” published by Carcanet Publications]

The stooping ditcher in the water stands
Letting the furrowd lakes from off the lands
Or splashing cleans the pasture brooks of mud
Where many a wild weed freshens into bud

The sneaking foxes from his thefts to fright
That often seizes the young lambs at night
These when they in their nightly watchings hear
The badgers shrieks can hardly stifle fear

They list the noise from woodlands dark recess
Like helpless shrieking woman in distress
And oft as such fears fancying mystery
Believes the dismal yelling sounds to be

For superstition hath its thousand tales
To people all his midnight woods and vales
And the dread spot from whence the dismal noise
Mars the night musings of their dark employs

Owns its sad tale to realize their fear
At which their hearts in boyhood achd to hear