Solitude (lines 81-104)

Where the swain the branches lops,
And o'erhead with rushes tops;
Where, with woodbine's sweet perfume,
And the rose's blushing bloom,
Loveliest ceiling of the bower,
Arching in, peeps many a flower;
While a hill of thyme so sweet,
Or a moss'd stone, forms a seat.

There, as 'tween-light hangs the eve,
I will watch thy bosom heave;
Marking then the darksome flows
Night's gloom o'er thy mantle throws;
Fondly gazing on thine eye
As it rolls its ecstasy,
When thy solemn musings caught
Tell thy soul's absorb'd in thought.

When thy finely folded arm
O'er thy bosom beating warm
Wraps thee melancholy round;
And thy ringlets wild unbound
On thy lily shoulders lie,
Like dark streaks in morning's sky.
Peace and silence sit with thee,
And peace alone is heaven to me.

A Scene

[Image: ‘Out of Doors’ by Carry Akroyd]

The Landscape’s stretching view that opens wide,
With dribbling brooks, and river’s wider floods,
And hills, and vales, and darksome lowering woods
With grains of varied hues, and grasses pied;
The low brown cottage in the shelter'd nook;
The steeple, peeping just above the trees
Whose dangling leaves keep rustling in the breeze;
And thoughtful shepherd bending o’er his hook;
And maidens stripp’d, haymaking too, appear;
And Hodge a whistling at his fallow plough;
And herdsman hallooing to intruding cow;
All these, with hundreds more, far off and near
Approach my sight; and please to such excess,
That language fails the pleasure to express.

There's music in the songs of birds

There's music in the songs of birds
There's music in the bee
There's music in a woman’s voice
When sitting on your knee

While walking in the mossy vales
Beneath the spreading beech
Song lives in singing nightingales
And in a woman’s speech

To hear her whisper in the dark
'Tis heavens melody
Her calm reply her wise remark
Is more than song to me

The harp can touch no sweeter chord
In music's thrilling choice
Nor music breathe a sweeter word
Than comes from woman’s voice

There's music in the singing lark
That carols to the sky
To hear her whisper in the dark
'Tis heavens melody

There's music in a woman’s voice
While sitting on your knee
And Emma is my own heart's choice
When e'er she chooses me

The Mock Bird

I've often tried, when tending sheep and cow,
With bits of grass and peels of oaten straw,
To whistle like the birds. The thrush would start
To hear her song, and pause, and fly away;
The blackbird never cared, but sang again;
The nightingale's fine song I could not try;
And when the thrush would mock her song, she paused,
And sang another song no bird could do!
She sang when all were done, and beat them all.
I've often sat and mocked them half the day,
Behind the hedge-row, thorn, or bullace tree:
I thought how nobly I could act in crowds.
The woods and fields were all the books I knew,
And every leisure thought was Love and Fame.

When gentle even oer the wild scene creeping

When gentle even oer the wild scene creeping
Lays labour down free from his care
& the moons silver pencil nights landscape is sweeping
On the tree heads & thro mountains tops peeping
As fair as sweet woman is fair

When the lone night bird his love song is breathing
& his sorrow melts sweet on the ear
& the blew mist round the horison wreathing
On the moist cheek & the still bough is [sweep]ing
As sweetly as kind warming tear

While the wild night wind his love tidings hushes
As a watch nurse oer her childs [closing eye]
Whispering soft thro the trees & the bushes
While the brooke oer its [mountain] bed murmuring gushes
As soft as a sweet womans sigh

O blest at that hour when the [doves tribes] are snoozing
[As morn] with sweet [blushes o] care
When the Nights fears in the moon light is loosing
& gilds sweet the snow of her soft heaving bosom
Sure never seems woman so fair

But sad at that hour is fond lovers meeting
& fate frowning fate [hovers] near
Forcd from each other fond vows soft repeating
To part & perchance never more to be meeting
How dearer then life is sweet womans tear

When gentle eve in nights lap is desarting
& sinking moon dims in the eye
When modesty wispers its leave to be parting
When love seals a vow on their lips at departing
How sweet is the good womans sigh

Native Scenes (click here)

[Near Torpel Manor Field just outside Helpston]

O native scenes for ever ever dear
So blest so happy where I long have been
So charmd with nature in each varied scene
To leave ye all is cutting & severe
Ye hanging bushes that from winds woud screen
Where oft Ive shelterd from an aprils shower
In youths past bliss in Childhoods happy hour
Ye Woods Ive wanderd searching out the nest
Ye Meadows gay that reard me many a flower
Culling my cow slips Ive been doubly blest
Huming gay fancies As I bound the prize
O Fate unkind beloved scenes adieu
Your vanishd pleasures crowd my swimming eyes
& makes this wounded heart to bleed anew

To Anna, three years old

My Anna, summer laughs in mirth,
And we will of the party be,
And leave the crickets in the hearth
For green fields' merry minstrelsy.

I see thee now with little hand
Catch at each object passing by,
The happiest thing in all the land
Except the bee and butterfly.

The weed-based arches' walls that stride
O'er where the meadow water falls
Will turn thee from thy path aside
To gaze upon the mossy walls.

And limpid brook that leaps along,
Gilt with the summer's burnished gleam,
Will stop thy little tale or song
To gaze upon its crimping stream.

Thou'lt leave my hand with eager speed
The new-discovered things to see—
The old pond with its water-weed
And danger-daring willow-tree,
Who leans, an ancient invalid,
O'er spots where deepest waters be.

In sudden shout and wild surprise
I hear thy simple wonderment,
As new things meet thy childish eyes
And wake some innocent intent.

As bird or bee or butterfly
Bounds through the crowd of merry leaves
And starts the rapture of thine eye
To run for what it ne'er achieves.

The simple reasoning arguments
Shaped to thy fancy's little view,
The joys and rapturous intents
That everywhere pursue.

So dreamed I over hope's young boon,
When merry summer was returning,
And little thought that time so soon
Would change my early hope to mourning.

I thought to have heard thee mid the bowers
To mock the cuckoo's merry song,
And see thee seek thy daisy flowers
That's been thy anxious choice so long.

But thou art on the bed of pain,
So tells each poor forsaken toy.
Ah, could I see that happy hour
When these shall be thy heart's employ,
And see thee toddle o'er the plain,
And stoop for flowers, and shout for joy.

When with our little ones we spent

When with our little ones we spent
Each Sunday after tea,
And up the wood's dark side we went
Or pasture's rushy lea,
To look among the woodland boughs
To find the bird's retreat,
Or crop the cowslip for the cows;
Then sat to rest the little feet
In many a pleasant place,
And see the lambs, who tried to bleat,
Come first in every race,
Then laugh'd the children's joys to view,
Who ran across the lea
At birds that from the rushes flew,
And many a wandering bee.

Great Casterton

Ronald Blythe deep in conversation with David Rowe in the garden of the Crown Inn, Great Casterton just opposite the church in which Clare and Patty were married in March 1820. David sang two of Clare's poems - 'Maid of Walkherd' and 'The Courtship' as part of the presentation of poems, songs and readings in the Church. It is hoped that these songs will form part of a Clare CD in the near future. At present I can offer a 'Demo' recording of David's settings of 9 of Clare's poems for the princely sum of £3-00.

A womans is the dearest love
Theres nought on earth sincerer
The leisure upon beautys breast
Can any thing be dearer

I saw her love in beauty’s face
I saw her in the rose
I saw her in the fairest flowers
In every weed that grows

(from 'The Courtship')

Summer Heat at Helpston

Back from Helpston and lovely three days of Festival. Although the heat was quite oppressive, the programme and fellow Society members were at their stimulating best.

Theres beauty in the intercourse of nature with her kind
Then come my dear Miss W--- and hear the sueing wind
That will not let thy hair alone, for all its glossy curls
But blows it in disorder like a string of broken pearls
That winnows round thy snowy neck to cool the summer heat
I wish I was the wind myself that kisses one so sweet
.
(from "To Miss W---") excerpt.

My love's like a lily my love's like a rose

For my final posting before the Festival starts on Friday lunchtime in Helpston, a lovely poem from Clare's youthful courting of Patty. Published in "Poems Descriptive of Rural Life & Scenery" in the Spring of 1820. Clare and Patty were married on the 20th March, 1820 in Bridge Casterton Church. On Saturday afternoon, the 10th July, we will be re-visiting the church in the village -- now called Great Casterton.

My love’s like a lily my loves like a rose
My love’s like a smile the spring morning’s disclose
And sweet as the rose on her cheek—her love glows
When sweetly she smileth on me

& as cold as the snow of the lily—my rose
Behaves to pretenders who ever they be
In vain higher stations their passions disclose
To win her affections from me

My love’s like the lily my love’s like the rose
My love’s like the smile the spring morning’s disclose
& fine as the lily & sweet as the rose
My loves beauty bloometh to me

& smiles of more pleasure my heart only knows
To think that pretenders who ever they be
But vainly their love & their passions disclose
My love remains constant to me

July - The Shepherds Calendar

Image: “Summer Parish” by Carry Akroyd*

The weary thresher leaves his barn
And emptys from his shoes the corn

That gatherd in them thro the day
And homward bends his weary way

The gardener he is sprinkling showers
From watering pans on drooping flowers

And set away his hoe and spade
While goody neath the cottage shade

Sits wi a baskett tween her knees
Ready for supper shelling peas

And cobler chatting in the town
Hath put his window shutter down

And the knowing parish clerk
Feign to do his jobs ere dark

Hath timd the church clock to the sun
And wound it up for night and done

And turnd the hugh kee in the door
Chatting his evening story oer

Up the street the servant maid
Runs wi her errands long delayd

And ere the door she enters in
She stops to right a loosend pin

And smooth wi hasty fingers down
The crumpling creases in her gown

Which Rogers oggles rudly made
For may games forfeit never paid

And seizd a kiss against her will
While playing quoits upon the hill

Wi other shepherds laughing nigh
That made her shoy and hurry bye

(lines 621-650)

* Carry Akroyd will be signing her new book “Landscape Change, John Clare and me” at Annakin’s Art Shop in Helpston on the 10th July -- during the John Clare Festival]

Helpstone

Hail, humble Helpstone ! where thy vallies spread,
And thy mean village lifts its lowly head ;
Unknown to grandeur, and unknown to fame;
No minstrel boasting to advance thy name :
Unletter'd spot! unheard in poets' song;
Where bustling labour drives the hours along ;
Where dawning genius never met the day;
Where useless ignorance slumbers life away ;
Unknown nor heeded, where, low genius tries
Above the vulgar and the vain to rise.

John Clare Festival 2010

We seem as startled from unnatural dreams
To hear the summer voice of woods and streams
And feel the sunny air, right green and young
Breathe music round as though a siren sung
(from 'Old Poesy - II')

9 July (Friday)
1.30 pm at Helpston Parish Church – the Midsummer Cushion Ceremony. Pupils from the John Clare Primary School place these cushions of flowers around Clare’s grave. The pupils’ prize winning poems are read and prizes awarded.

6 pm – Guided walk around Helpston. Meet at the Butter Cross.

7 pm onwards – The Langdyke Trust. Official opening of the heritage site at Torpel Manor Field, part of Helpston’s history since the Norman Conquest. The Trust will be hosting a range of walks and talks based on the history of the site from 7 pm onwards.

7.30 pm to 11 pm – Folk Music. John Clare’s Birthday Music and Song Session – an informal evening in the front room of the Exeter Arms, 3 Church Lane, Helpston – free admission – limited space, so arrive in good time – musicians and singers especially welcome – details 01778 571563 or pete@peteshaw.co.uk.

10 July (Saturday)
From 9.30 am – coffee and toast in the Botolphs Barn – near the Exeter Arms!

10 am – Festival opens in the School Hall - stalls include the J C Society sales, booksellers, local tourist offices, and exhibitions. Buy your tickets for the afternoon coach tour or the evening performance of John Clare and the music of what happens.

10 am – in the marquee – behind the School – St Botolphs Music Group will play before the meeting starts.

10.30 am – in the marquee – welcome and introduction to the Festival, followed by the AGM of the JC Society.

11.15 am – the President’s Address by Ronald Blythe.

From 11 am – An artists quarter in Botolphs Barn.

12 noon – 1 pm and 1.30 pm to 2.30 pm – poetry workshops in the Scout and Guide Centre – for children aged 6 to 12 years, led by Keely Mills and Luke Payn.

Lunches in the Village Hall
John Clare cottage open 10 am to 5 pm

Botolphs Barn – artists and crafts

Bluebell and Exeter Arms – morris dancers and the Peterborough Folk Dance Society perform

Carry Akroyd will be signing her book at Annakin’s Art Shop (near the village shop and post office on West Street) – for more on Carry, visit www.carryakroyd.co.uk.

1.45 pm – The Poet’s Wife – Judith Allnatt, poet and writer will talk about her recently published book, a reimagining of the life of John Clare through the eyes of his wife, Patty. Judith will be ready to sign books and discuss the novel with any who wish to stay after her talk.

3 pm – coach outing to Great Casterton (tickets available from 10am) and the church where John & Martha (Patty) Clare were married, including a programme of prose, poetry and song by Clare.

3 pm – guided walks around Helpston – meet at the Butter Cross.

3.15 pm – 4 pm – in the Church, read your favourite poem

Enjoy a traditional English tea in the village hall

5.30 pm – in the Church – another chance to read your favourite Clare poem!

7 pm – in the marquee at the John Clare Primary School (by ticket only) – 'John Clare and the music of what happens', poet Malcolm Guite and Jazz Poetry Collective Riprap explore the contemporary resonances of John Clare’s poetry (tickets £10 and £8 concessions).

From 7.30 pm onwards – in the Blue Bell, Frumenty perform a selection of music, including songs about Clare. Frumenty are a three piece band encompassing guitars, mandolin, mandola, banjo and percussion as well as vocals and singing a range of traditional and contemporary folk music.

11 July (Sunday)
11 a.m. – special church service at St Botolphs, led by the Rev Ron Ingamells, Vice Chair of the Society.

For more detail leave a comment on this weblog.

The Meadow Flags

The meadow flags now rustle bleached & dank
& misted oer with down as fine as dew
The sloe & dewberry shine along the bank
Where weeds in blooms luxuriance lately grew
Red rose the sun & up the morehen flew
From bank to bank the meadow arches stride
Where foamy floods in winter tumbles through
& spread a restless ocean foaming wide
Where now the cowboys sleep nor fear the coming tide

(Child Harold lines 714-722)

Ballad - The Rose of the World...

The Rose Of The World Was Dear Mary To Me
In The Days Of My Boyhood & Youth
I Told Her In Songs Where My Heart Wished To Be
& My Songs Where The Language of Truth

I Told Her In Looks When I Gazed In Her Eyes
That Mary Was Dearest To Me
I Told Her In Words & The Language Of Sighs
Where My Whole Hearts Affections Would Be

I Told her in love that all nature was true
I convinced her that nature was kind
But love in his trials had labour to do
<        > Mary would be in the mind

Mary met me in spring where the speedwell knots grew
& the king cups were shining like flame
I chose her all colours red yellow & blue
But my love was one hue & the same

Spring summer & winter & all the year through
In the sunshine the shower & the blast
I told the same tale & she knows it all true
& Mary's my blossom at last

(Child Harold – lines 1139-1158)

(In this poem, written early in 1841, Clare stops capitalising every word. No-one knows why he started, or stopped, this practice).  The first word of line 12 is a blank in the manuscript.

The Wild Rose

The hedge rose blossoms like thy face
Sweet red and white together
And shadows wave about the place
Where branches twist together

The leaves dance to a merry tune
And boughs wave like to billows
A flowry carpet throughout june
And concert in the willows

Dews bead the headaches like to gems
And corn blades like to rain
God's love does nothing here condemn
All live free from sins pain

Then let us meet at dewy morn
Or else at golden noon
Or evening mid the waving corn
Or night while shines the moon

The hedge row was our tristing place
Beside the rose tree fair
There nature smiled on thy sweet face
The fairest wild rose there

Two Summer Sonnets

June
Go where I will, naught but delight is seen;
The blue and luscious sky is one broad gleam
Of universal ecstasy; the green,
Rich, sweeping meadows and the laughing stream,
As sweet as happiness on heaven's breast,
Lie listening to the never-ceasing song
That day or night ne'er wearies into rest
But hums unceasingly the summer long.
The very grass, to music's rapture stirred,
Dances before the breeze's wanton wing,
While every bush stirs with a startled bird
Who eager wakes morn's dewy praise to sing.
Yet mid this summer glee I cannot borrow
One joy, for sadness chills them all to sorrow.

Summer Amusements
I love to hide me on a spot that lies
In solitudes where footsteps find no track
To make intrusions; there to sympathize
With nature: often gazing on the rack
That veils the blueness of the summer skies
In rich varieties; or o'er the grass
Behold the spangled crowds of butterflies
Flutter from flower to flower, and things that pass
In urgent travel by my still retreat,
The bustling beetle tribes; and up the stem
Of bents see lady-cows with nimble feet
Climb tall church-steeple heights—or more to them—
Till at its quaking top they take their seat,
Which bows, and off they fly fresh happiness to meet.

The humble flower...

(A carpet of wild flowers growing in Swaddywell, July 2005)

The humble flowers that buds upon the plain
& only buds to blossom but in vain
By sensless rustics with unheeding eyes
Still troden down as they attempt to rise
So like the humble blossom of the Fields
Unculturd Genius humble life consceals

The Flitting (final)

And why? this shepherd's purse that grows
In this strange spot, in days gone by
Grew in the little garden rows
Of my old home now left; and I
Feel what I never felt before,
This weed an ancient neighbour here,
And though I own the spot no more
Its every trifle makes it dear.

The ivy at the parlour end,
The woodbine at the garden gate,
Are all and each affection's friend
That rendered parting desolate.
But times will change and friends must part,
And nature still can make amends;
Their memory lingers round the heart
Like life, whose essence is its friends.

Time looks on pomp with vengeful mood
Or killing apathy's disdain;
So where old marble cities stood
Poor persecuted weeds remain.
She feels a love for little things
That very few can feel beside,
And still the grass eternal springs
Where castles stood and grandeur died.