from "Coy Maidens"


















[The Kirk at Upton]

Her voice shouted Roger, like throwing a stone
So give up old Soldier and let her alone
Go away with ye Roger young Man do I see
If you're an old Soldier you may march on with me.

I went with the maiden over heath and o'er plain
And when Sunday was come too, I saw her again
I saw her, and courted the sun from the West
And left my last kiss on the mole of her breast.

I kissed, and we’re married, and bedded and all
And the old Kirk at Upton the green wedding saw
For the grass it was green and our years was the same
And from morning to Evening none called us to blame

(lines 7-8, 11-20)

The Later Poems of John Clare 1837-1864,
ed. Eric Robinson and David Powell
(Oxford, 2 volumes, I-II, 1984)

Song: 'Come lovley Jenny"
















Come lovley Jenny haste away
Quickly come make no delay
Come & view these sweetful flowers
Nurs'd by Aprils softest showers
Haste & greet their happy shade
Soon they'l wither soon they'l fade
Then haste my dearest haste away
Come & taste the sweets of May

Lovley sweets that never cloy
Happiest hours that yield to joy
Hedgerows dappl'd green & white
Look so graceful to the sight
Meadows cloth'd in yellow hue
Banks streak'd oer with vi'lets hue
Yet their charms will soon decay
Soon they'l fade & dye away

Then lovley Jenny haste away
Quickly come make no delay
Come & view these sweetful flowers
Nurs'd by Aprils softest showers
Haste & greet their happy shade
Soon they'l wither soon they'l fade
Then haste my dearest haste away
Come & taste the sweets of May

The Early Poems of John Clare 1804-1822,
ed. Eric Robinson, David Powell and Margaret Grainger
(Oxford, 2 volumes, I-II, 1989)

A Character























Her hair bound in tortoise or else loosley flowing
(Lo each is a beautiful show)
More blacker than jet the fine ringlets seem glowing
Nay they rival the Micaelmas sloe.
Her face cloth'd in blushes like the east in a morning
Sheds a lustre so healthful and gay
And O! her sweet neck is with Cupids adorning
More whiter than blossoms of May.

Her beautiful bosom with love sweetly swelling
Whould make e'en a Hermit to long
And O! of her eyes and her lips theres no telling
They'r out o' the reach of my song.
Her height with the rest in exactest propotion
Nought defective throughout can be seen
And her fine limbs conceal'd will oft show their sweet motion
When met by the wind on the green.

Tho her form is so charmingly fine tall and slender
It does not outrival her mind,
She's equaly Modest Obliging and Tender
That she seems for an angel designd.
She also is Witty and quick in descerning,
Nor a stranger to Helicon's spring,
She's an able proficient in all sorts of Learning,
To Draw or to Write or to Sing.

O! Cupid since thou with thy Bow fast pursuing
Made an Arrow flie twang thro my heart
Give me but this Maid I'll ne'er mourn the subduing,
But bless the good aim of thy dart.


The Early Poems of John Clare 1804-1822,
ed. Eric Robinson, David Powell and Margaret Grainger
(Oxford, 2 volumes, I-II, 1989)

Mary


















'Tis April and the morning love
Awakes in balmy dew
Flowers are the meads adorning love
In yellow white and blue
And if thy heart is true my love
As true it used to be
Then leave thy cot and kye my love
And walk the fields with me

And we will walk the meadow love
And we will walk the grove
And by the winding river love
We'll walk and talk of love
And by the white thorn bushes love
Just budding into green
Where the shaded fountain rushes love
We'll steal a kiss unseen

Where the daisey on the brink my love
Stands peeping in the flood
And the blackcap flies to drink my love
That whistles in the wood
Where the crowflower like the sun my love
Shines in the grass so green
Let's go where waters run my love
And live and love unseen

And live and love unseen my dear
For one sweet April day
Drear winter seems to last a year
While Mary is away
Where we can see and not be seen
By woods or shady grove
Or by the hawthorn's tender green
Let's meet, and live and love

Selected Poems, ed. J.W. and Anne Tibble (Everyman, 1965)

Native Scenes

















O native scenes for ever ever dear
So blest so happy where I long have been
So charmd with nature in each varied scene
To leave ye all is cutting & severe
Ye hanging bushes that from winds woud screen
Where oft Ive shelterd from an aprils shower
In youths past bliss in Childhoods happy hour
Ye Woods Ive wanderd searching out the nest
Ye Meadows gay that reard me many a flower
Culling my cow slips Ive been doubly blest
Huming gay fancies As I bound the prize
O Fate unkind beloved scenes adieu
Your vanishd pleasures crowd my swimming eyes
& makes this wounded heart to bleed anew

Poems Descriptive of Rural Life and Scenery (1820)

The Winter time is over love


The winter time is over love
White thorns begin to bud
& brown & green of freshness love
Enlivens all the wood
Theres white clouds got agen the sun
One daisey open on the green
The primrose shows its sulphur bud
Just where the hazel stulps are seen
& ere the April time is out
Along the ridings gravel walk
The bedlam primrose blooms about
Wi' twenty blossoms on a stalk
How happy seems the drop of dew
That nestles in the daiseys eye
How blest the cloud seems in the blue
That near the sun appears to lie
How happy does thy shadows seem
That stretches oer the morning grass
They seeims to walk as in a dream
I know their shadows as they pass
The primrose over withered leaves
Now beautifully shines


The Later Poems of John Clare
ed. Eric Robinson and Geoffrey Summerfield
(Manchester University Press, 1964)

from "Adieu to my false love for ever"


The week before Easter, the days long and clear,
So bright shone the sun and so cool blew the air,
I went in the meadow some flowers to find there,
But the meadow would yield me no posies.

The weather, like love, did deceitful appear,
And I wandered for joy when my sorrow was near,
For the thorn that wounds deeply doth bide the whole year,
When the bush it is naked of roses.

I courted a girl that was handsome and gay,
I thought her as constant and true as the day,
Till she married for riches and said my love nay,
And so my poor heart got requited.

(...)

Now make me a bed in yon river so deep,
Let its waves be my mourners; naught living will weep;
And there let me lie and take a long sleep,
So adieu to my false love for ever.

John Clare and the Folk Tradition (1983)
George Deacon

To an April Daisy


Welcome old Maytey peeping once again
Our meeting minds me of a pleasent hour
Springs pencil pinks thy cheek that blushy stain
& Summer glistens in thy tinty flower

Hail Beautys gem disdaining time nor place
Carlessly creeping on the dunghills side
Demeanour softens in thy crimpled face
& Decks thee with a charm unknown to pride

Hail 'venturer once again—that fearless here
Encampeth on the hoar hills sunny side
Springs early messenger thourt doubly dear
& Winters loss by thee is well suply'd

Now winters storms shall cease their pelting rage
Nor need I mention Winters woes to thee
Far better luck thy visits well presage
& be it thine & mine that luck to see

Ah may thy smiles confirm the hopes they tell—
To see thee frost bit I'd be griev'd at heart
I meet thee happy & I wish thee well
Till ripening summer summons us to part

Then like old friends or mates thats neighbours been
Well part in hopes to meet another year
& at thy exit from this changing scene
Well mix our wishes in a tokening tear

Poems Descriptive of Rural Life and Scenery (1820)

from "Jockey & Jinney or First Love"


Wereover many a stile neeth willows grey
The winding footpath leaves the public way
Free from the dusty din & ceasless chime
Of bustling waggons in the summer time
Crossing a brook—were braving storms in vain
Two willows fell & still for brigs remain
Corn field & clover closes leading down
In peacful windings to the neighbouring town

Were on bridge wall or rail or trees smooth bark
The passing eye is often stopt to mark
The artless vanity of village swains
Who spend a leisure hour with patient pains
& put to sculptors purposes the knife
To spin a cobweb for an after life
Nicking the letters of their little names
In rudest forms that untaught science frames

Pleasd with the feeblest shadow of renown
That warms alike the noble and the clown
Nigh to that path a sheltering hedge beside
A Cottage stands in solitary pride
Whose thatch with housleek flowers is yellowd oer
Where flock the bees from hives agen the door
Lonly & sweet as ever welcome spring
Neer fails its pleasant visitors to bring

Trees sheltering round it hide returning rooks
& twittering swallows seek its chimney nooks
In peace the sparrow chirps its joyous calls
& takes the feather to the crevisd walls
Nor fails the harmless robin & the wren
To seek such sweet secluded haunts agen
Beneath the eaves the martins still repair
& yearly build their mortard dwelling there

(Lines 1 - 32)

Cottage Tales, ed. Eric Robinson, David Powell and P.M.S. Dawson
(Ashington and Manchester: Mid-NAG and Carcanet, 1993)

Hen's Nest

Among the orchard weeds, from every search,
Snugly and sure, the old hen's nest is made,
Who cackles every morning from her perch
To tell the servant girl new eggs are laid;
Who lays her washing by, and far and near
Goes seeking all about from day to day,
And stung with nettles tramples everywhere;
But still the cackling pullet lays away.
The boy on Sundays goes the stack to pull
In hopes to find her there, but naught is seen,
And takes his hat and thinks to find it full,
She's laid so long so many might have been.
But naught is found and all is given o'er
Till the young brood come chirping to the door.

Northborough Sonnets, (Ashington/Manchester: Mid-NAG/Carcanet, 1995)
ed. Eric Robinson, David Powell and P.M.S. Dawson

from "Holywell"

A distant prospect cheer'd my eye,
Of closes green and fallows brown,
And distant glimpse of cot and town,
And steeple beck'ning on the sight,
By morning sunbeams painted white,
And darksome woods with shadings sweet,
To make the landscape round complete,
And distant waters glist'ning by,
As if the ground were patch'd with sky;
While on the blue horizon's line
The far-off things did dimly shine,
Which wild conjecture only sees,
And fancy moulds to clouds and trees,
Thinking, if thither she could fly,
She'd find the close of earth and sky.

But as we turn to look again
On nearest objects, wood and plain,
(So truths than fiction lovelier seem),
One warms as wak'ning from a dream.
From covert hedge, on either side,
The blackbirds flutter'd terrified,
Mistaking me for pilfering boy
That doth too oft their nests destroy;
And ‘prink, prink, prink,’ they took to wing,
In snugger shades to build and sing.
From tufted grass or bush, the hare
Oft sprung from her endanger'd lair;
Surprise was startled on her rout,
So near one's feet she bolted out.
The sun each tree-top mounted o'er,
And got church-steeple height or more:
And as I soodled on and on,
The ground was warm to look upon.

The Village Minstrel, and Other Poems (2 volumes, 1821)

The Flight of Birds















[Images: Carry Akroyd]

The crow goes flopping on from wood to wood,
The wild duck wherries to the distant flood,
The starnels hurry o'er in merry crowds,
And overhead whew by like hasty clouds;
The wild duck from the meadow-water plies
And dashes up the water as he flies;
The pigeon suthers by on rapid wing,
The lark mounts upward at the call of spring.
In easy flights above the hurricane
With doubled neck high sails the noisy crane.
Whizz goes the pewit o'er the ploughman's team,
With many a whew and whirl and sudden scream;
And lightly fluttering to the tree just by,
In chattering journeys whirls the noisy pie;
From bush to bush slow swees the screaming jay,
With one harsh note of pleasure all the day.











John Clare, Selected Poems,
ed. J.W. and Anne Tibble (Everyman, 1965)

Spring

SPRING (a)
Welcome gentle breathing Spring
Now the birds are heard to sing
And the budding tree is seen
Putting forth her tender green
O delightful season hail
May my footsteps never fail
When time permits to visit thee
And view thy new born scenery

SPRING (b)
Welcome gentle breathing spring
Now the birds begin to sing
Now the Swelling shade is seen
Putting forth its tender green
While the Suns extended way
Sweetly shows the lengthend day
O delightful Season hail
May my footsteps never fail
When I've time to trample where
All thy beauties reappear

The Early Poems of John Clare 1804-1822,
ed. Eric Robinson, David Powell and Margaret Grainger
(Oxford, 2 volumes, I-II, 1989)

March



















The insect world, now sunbeams higher climb,
Oft dream of spring, and wake before their time:
Bees stroke their little legs across their wings,
And venture short flights where the snowdrop hings
Its silver bell, and winter aconite
Its buttercup-like flowers that shut at night,
With green leaf furling round its cup of gold,
Like tender maiden muffled from the cold;
They sip and find their honey-dreams are vain,
Then feebly hasten to their hives again.
The butterflies, by eager hopes undone,
Glad as a child come out to greet the sun,
Beneath the shadows of a sunny shower
Are lost, nor see to-morrow's April flower.

Selected Poems of John Clare (ed. James Reeves), London: Heinemann, 1954

from "The Shepherd's Calendar - March"






















Where the stunt bank fronts the southern sky
By lanes or brooks where sunbeams love to lye
A cowslip peep will open faintly coy
Soon seen and gatherd by a wandering boy

A tale of spring around the distant haze
Seems muttering pleasures wi the lengthning days
Morn wakens mottld oft wi may day stains
And shower drops hang the grassy sprouting plains

And on the naked thorns of brassy hue
Drip glistning like a summer dream of dew
While from the hill side freshning forest drops
As one might walk upon their thickening tops

And buds wi young hopes promise seemly swells
Where woodman that in wild seclusion dwells
Wi chopping toil the coming spring deceives
Of many dancing shadows flowers and leaves

And in his pathway down the mossy wood
Crushes wi hasty feet full many a bud
Of early primrose yet if timely spied
Shelterd some old half rotten stump beside

The sight will cheer his solitery hour
And urge his feet to stride and save the flower
Muffld in baffles leathern coat and gloves
The hedger toils oft scaring rustling doves

The Shepherd's Calendar, with Village Stories, and Other Poems (1827)

from "To the Snipe"

Boys thread the woods
To their remotest shades;
But in these marshy flats, these stagnant floods,
Security pervades.

From year to year
Places untrodden lie,
Where man nor boy nor stock hath ventured near,
Naught gazed on but the sky.

And fowl that dread
The very breath of man,
Hiding in spots that never knew his tread,
A wild and timid clan.

Widgeon and teal
And wild duck—restless lot,
That from man's dreaded sight will ever steal
To the most dreary spot.

Here tempests howl
Around each flaggy plot,
Where they who dread man's sight, the water fowl,
Hide and are frightened not.

'Tis power divine
That heartens them to brave
The roughest tempest and at ease recline
On marshes or the wave.

Yet instinct knows
Not safety's bounds:—to shun
The firmer ground where skulking fowler goes
With searching dogs and gun.

The Poems of John Clare
ed. J. W. Tibble (1935)
[Image: Carry Akroyd - http://www.carryakroyd.co.uk/ ]

Today the fox must die























A Hunting Song
The cock awakes the rosy dawn
  And tells approaching day
While Reynard sneaks along the lawn
  Belated with his prey
—O never think to find thy home
  But for thy safety fly
The sportman's long proclaim'd thy doom—
  “Today a Fox shall die”

The bugle blows the sporting train
  Swift mount the snorting steed
Each fence defiance bids in vain
  Their progress to impede—
The cover broke they drive along
  And Raise a jovial cry
Each dog barks chorus to my song
  “Today a fox shall die”

Like lightning o’er the hills they sweep
  All readiest roads they go
The Five-barr'd gate with ease they leap:
  Hark forward tally ho!
The mist hangs on, and scents him strong
  The moisture makes it lie
The woods re-echo to my song
  “This day the Fox must die”

Old Reynard finding shifts in vain
  While hounds and horns pursue
Now leaves the woods to try the plain
  —The bugle sounds a view
Old Threadbrake gaily leads the throng
  His bold unerring cry
Confirms the burthen of my song
  “This day the fox shall die”

His funeral knell the bugle blows
  His end approaches near
He reels & staggers as he goes
  And drops his brush with fear
More eager now they press along
  And louder still the cry—
All join in chorus to my song
  “Today the fox must die”

John Clare, Poems Descriptive of Rural Life and Scenery (1820)
[Image: Carry Akroyd]

In Hilly Wood

How sweet to be thus nestling deep in boughs
Upon an ashen stoven pillowing me
Faintly are heard the ploughmen at their ploughs
But near an eye can find its way to see
The sun beams scarce molest me wi a smile
So thick the leafy armies gather round
& where they do the breeze blows cool the while
Their leafy shadows dancing on the ground
—Full many a flower too wishing to be seen
Perks up its head the hiding grass between—
In midwood silence thus how sweet to be
Where all the noises that on peace intrude
Comes from the chittering cricket bird & bee
Whose songs have charms to sweeten solitude

The Village Minstrel, and Other Poems (2 volumes, 1821)
[Image: Carry Akroyd]

A Scene























The landscapes stretching view, that opens wide,
With dribbling brooks, and river's wider floods,
And hills, and vales, and darksome lowering woods,
With grains of varied hues and grasses pied;
The low brown cottage in the shelter'd nook;
The steeple, perking just above the trees
Whose dangling leaves keep rustling in the breeze;
And thoughtful shepherd bending o'er his hook;
And maidens stript, haymaking too, appear;
And Hodge a-whistling at his fallow plough;
And herdsman hallooing to intruding cow:
All these, with hundreds more, far off and near,
Approach my sight; and please to such excess,
That language fails the pleasure to express.

John Clare, Poems Descriptive of Rural Life and Scenery (1820)
[Image: Carry Akroyd]

A Valentine

[Click on the title for the illustrations to the poem]

Here's a valentine nosegay for Mary,
Some of spring’s early flowers;
The ivy is green by the dairy,
And so are these laurels of ours.

Though the snow fell so deep, and the winter was dreary,
The laurels are green, and the sparrows are cheery.
The snowdrops in bunches grow under the rose;
And aconites under the lilac like fairies;

The best in the bunches for Mary I chose;
Their looks are as sweet, and as simple as Mary's;
The one will make spring, in my verses so bare,
The other will set off, and braid thy dark hair.

Red primroses too, at the old parlour end,
Have bloom'd all the winter, ‘mid’ snow's cold and dreary,
Where the lavender cotton kept off the cold wind
Now to shine in my Valentine nosegay for Mary.

And shine in my verses all summer and be,
A memento of fondness, and friendship for thee.
Here's the crocus half opened, that spreads into gold;
Like branches of sunbeams left there by a fairy,

I pluck them as such, in these verses so cold,
But they'll bloom twice as bright, in the presence of Mary.
These garden flowers cropt, I will go to the fields,
And see what the valleys and pasture land yields.

Here's the pale primrose, on the skirts of the wild wood,
And violet blue, 'neath the thorn on the green:
The wild flowers we pluck't, in the days of our childhood,
On the very same spot, as no changes had been!

In the very same place, where the sun kiss'd the leaves,
And the woodbine its branches, with thorns interweaves.
And here in the pasture all swarming with rushes,
Is a cowslip, as blooming and forward as spring,

And the pilewort like sunshine, glows under the bushes
While the chaffinch there sitting is trying to sing.
And the daisies are comeing, called ‘stars of the earth’;
To bring to the school-boy his spring time of mirth.

Here is the nosegay—how simple it shines,
It speaks without words, to the ear and the eye:
The flowers of the spring, are the best Valentines,
They are young, fair, and simple, and pleasingly shy.
That you may remain so, and ne'er act contrary,
I send you these flowers, as a Valentine Mary.

The Poems of John Clare, ed. J. W. Tibble
(2 volumes, Dent, 1935)