Gothic literature is often described with words such as "wonder" and "terror.” These senses, to which must be added the suspension of disbelief, are important to Gothic writing of all kinds, perhaps saving when it is parodied.
Notwithstanding the occasional melodrama, gothic writing is typically played straight, in a very serious manner. All that is required is that the imagination of the reader is willing to accept the idea that there might be something "beyond that which is immediately in front of us."
The Gothic often uses scenery of decay, death, and morbidity to achieve its effects . Nearly two centuries after Clare penned most of these poems they maintain a dark and mysterious appeal.
Notwithstanding the occasional melodrama, gothic writing is typically played straight, in a very serious manner. All that is required is that the imagination of the reader is willing to accept the idea that there might be something "beyond that which is immediately in front of us."
The Gothic often uses scenery of decay, death, and morbidity to achieve its effects . Nearly two centuries after Clare penned most of these poems they maintain a dark and mysterious appeal.
Soft as creeping feet can fall
Still the damp green stained wall
As the startled ghost flits bye
Mocking murmurs faintly sigh
Minding our intruding fear
Such visits are unwelcome here
Seemly then each hollow urn
Gentle steps our steps return
Ere so soft & ere so still
Check our breath or how we will
Listning spirits still reply
Step for step & sigh for sigh
Murmuring oer ones wearied woe
Life as once was theirs to know
(Solitude, lines 281-294)
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